The trouble with most Englishwomen is that they will dress as if they had been a mouse in a previous incarnation... they do not want to attract attention.
--
As quoted in Edith Sitwell: Fire of the Mind : an Anthology (1976) by Elizabeth Salter, p. 176Edith Sitwell
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A man’s style in any art should be like his dress — it should attract as little attention as possible.
Samuel (novelist Butler
Sexual depravity is directing us towards a precipice. Women are to blame for broken marriages because they dress to attract the attention of men even after they are married.
Danie Craven
The real place of women is the house and she has been exempted from outdoor duties…She has however been allowed to go out of the house to fulfil her genuine needs, but whilst going out she must observe complete modesty. Neither should she wear glamorous clothes and attract attention, nor should she cherish the desire to display the charms of the face and the hand, nor should she walk in a manner which may attract attention of others. Moreover she should not speak to them without necessity, and if she has to speak she should not speak in a sweet and soft voice.
Abul Ala Maududi
It's always fun to climb into a dress when you're having a party, right? So we were having a party and I did just that, I poured myself into a dress. When I woke up - and I woke between the kitchen cabinets - I wasn't wearing the dress any longer. No idea where it went. It was a nice dress as well, a little black number. Do I look good in a dress? Always.
Bert McCracken
This hero and villain no more understand Krazy Kat than the mythical denizens of a two dimensional realm understand some three dimensional intruder. The world of Offissa Pupp and Ignatz Mouse is a knowledgeable power-world, in terms of which our unknowledgeable heroine is powerlessness personified. The sensical law of this world is might makes right; the nonsensical law of our heroine is love conquers all. To put the oak in the acorn: Ignatz Mouse and Offissa Pupp (each completely convinced that his own particular brand of might makes right) are simple-minded—Krazy isn't—therefore, to Offissa Pupp and Ignatz Mouse, Krazy is. But if both our hero and our villain don't and can't understand our heroine, each of them can and each of them does misunderstand her differently. To our softhearted altruist, she is the adorably helpless incarnation of saintliness. To our hardhearted egoist, she is the puzzlingly indestructible embodiment of idiocy. The benevolent overdog sees her as an inspired weakling. The malevolent undermouse views her as a born target. Meanwhile Krazy Kat, through this double misunderstanding, fulfills her joyous destiny.
E. E. Cummings
Sitwell, Edith
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