Tuesday, April 30, 2024 Text is available under the CC BY-SA 3.0 licence.

Eddie Vedder

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people like the deep roughness and shouting that me and other grunge singers use.

 
Eddie Vedder

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I remember when singers were singers. Ugly people. Aretha Franklin needed a lot of room to eat her chicken wings. Janis Joplin used to come out in clothes woven from her own vomit. Nina Simone, amazing singer, could look at a railway track and buckle it. It didn’t matter; They were beautiful people because of what they could do.

 
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People act like Nirvana invented grunge; they just took it and personified it.

 
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A branch of physics that I was working in for many years has lately become much less active. Many problems have been solved and others are so difficult that nobody knows what to do about them. This means that I do much less physics today than 15 years ago. By contrast, fractal tools have plenty to do. There is a joke that your hammer will always find nails to hit. I find that perfectly acceptable. The hammer I crafted is the first effective tool for all kinds of roughness and nobody will deny that there is at last some roughness everywhere.

 
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How could it be that the same technique applies to the Internet, the weather and the stock market? Why, without particularly trying, am I touching so many different aspects of many different things?
A recent, important turn in my life occurred when I realized that something that I have long been stating in footnotes should be put on the marquee. I have engaged myself, without realizing it, in undertaking a theory of roughness. Think of color, pitch, heaviness, and hotness. Each is the topic of a branch of physics. Chemistry is filled with acids, sugars, and alcohols; all are concepts derived from sensory perceptions. Roughness is just as important as all those other raw sensations, but was not studied for its own sake. ... I was not particularly precocious, but I'm particularly long-lived and continue to evolve even today. Above a multitude of specialized considerations, I see the bulk of my work as having been directed towards a single overarching goal: to develop a rigorous analysis for roughness. At long last, this theme has given powerful cohesion to my life ... my fate has been that what I undertook was fully understood only after the fact, very late in my life.

 
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"She is one of the most intelligent singers I've worked with for a very long time, - there are little reminders in her voice, of all sorts of other singers like Eartha Kitt and Edith Piaf, - of whom she has never heard. She exudes a modest confidence, she is completely sure of herself and has a maturity far in advance of her age."

 
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