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"Curse those two time-ghosts!" he almost shrieked. "They made me quite sure you were the Time Lady! But you're not, are you? I could tell you were a real Twenty Century person with every word you said. Mickey Mouse!" he yelled.
--
p. 87.

 

Diana Wynne Jones

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It is valuable copyrights that are responsible for terms being extended. Mickey Mouse and "Rhapsody in Blue." These works are too valuable for copyright owners to ignore. But the real harm to our society from copyright extensions is not that Mickey Mouse remains Disney's. Forget Mickey Mouse. Forget Robert Frost. Forget all the works from the 1920s and 1930s that have continuing commercial value. The real harm of term extension comes not from these famous works. The real harm is to the works that are not famous, not commercially exploited, and no longer available as a result.

 

Lawrence Lessig

 

Forget the 18th century, the 19th century, even at the birth of the 20th century. Here's my favorite example, here: 1928, my hero, Walt Disney, created this extraordinary work, the birth of Mickey Mouse in the form of Steamboat Willie. But what you probably don't recognize about Steamboat Willie and his emergence into Mickey Mouse is that in 1928, Walt Disney, to use the language of the Disney Corporation today, "stole" Willie from Buster Keaton's "Steamboat Bill."
It was a parody, a take-off; it was built upon Steamboat Bill. Steamboat Bill was produced in 1928 — no 14 years — just take it, rip, mix, and burn, as he did to produce the Disney empire.

 

Lawrence Lessig

 

It is an incontestable fact that the word "Jew" did not come into existence until the year 1775. Prior to 1775 the word "Jew" did not exist in any language. The word "Jew" was introduced into the English for the first time in the 18th century when Sheridan used it in his play "The Rivals", II,i, "She shall have a skin like a mummy, and the beard of a Jew". Prior to this use of the word "Jew" in the English language by Sheridan in 1775 the word "Jew" had not become a word in the English language. Shakespeare never saw the word "Jew" as you will see. Shakespeare never used the word "Jew" in any of his works, the common general belief to the contrary notwithstanding. In his "Merchant of Venice", V.III.i.61, Shakespeare wrote as follows: "what is the reason? I am a Iewe; hath not a Iewe eyes?".

 

Benjamin H. Freedman

 

I was walking barefoot on St. Paul's bridge
When I saw a man talking to God
He was round and handsome
Anachronistically
A little odd
I overheard his conversation
He said, "I can't live in a world devoid of love."
And the voice, the voice was so familiar
It was the voice of Peter Ustinov
"Peter," I whispered from the shadows
"We've all been damaged by the 20th century
A man like you can talk to God
But can you spare a word for me?
For I have loved you since the time
I saw you in The Mouse that Roared."
"That was Peter Sellers, my dear.
Go away," he implored.

 

Peter Ustinov