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Dean R. Koontz

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When you're as hollow as Enoch Kane, the emptiness aches. He's desperate to fill it, but he doesn't have the patience or the commitment to fill it with anything worthwhile… So a man like Kane obsesses on one thing after another — sex, money, food, power, drugs, alcohol — anything that seems to give meaning to his days, but that requires no real self-discovery or self-sacrifice.
--
Chapter 64; words of former policeman Thomas Vanadium

 
Dean R. Koontz

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To me, Big Daddy Kane is still today one of the best rappers. I would put Big Daddy Kane against any rapper in a battle. Jay-Z, Nas, Eminem, any of them. I actually met Jay-Z with Kane. Kane brought Jay-Z over to my house. But nobody wants to see Kane. I could take 'Raw' right now and put it up against any record [from today]. Kane is one of the most incredible lyricists, the most real cat if you ever get a chance to meet him. Straight out of Brooklyn, soft-spoken and he will devour you on the mic. I don't want to try to out-rap Big Daddy Kane. I may out-dress him, but I'm not gonna try to out-rap him. Big Daddy Kane can rap circles around cats.

 
Big Daddy Kane
 

To be a Satanist is not to be liberated. It is to be bonded to death. The freedom it offers is an illusion. And this is something I know every Satanist knows, because I was there. In the dark and quiet, all alone, without the buzz of alcohol or drugs, or the rhythm of music to drown out the sounds, there is an empty echo inside us. A vacancy. A feeling of loss and cold and turmoil and hunger. That emptiness gnaws and hurts worse than anything else in life; we take up knives to carve our skin just to escape it, or run into the arms of a lover to smother it, but it doesn't go away. It grows. It is death at work, emptiness causing decay. No matter how much we feed it SIN, it will never fill up.

 
Sean Sellers
 

"Howard takes great care to develop mood and atmosphere in his best stories, and in so doing makes the reader feel the dark, desperate undercurrent of his character's schemes and struggles. It is in this that I feel closest to Howard, and it is something that his conscious imitators have never captured. The disparity of writing styles aside, the mood immediately sets pastiche-Howard apart from the real article. Pseudo-Conan is out having just the best time, 'cause he's the biggest, toughest, mightiest-thewed barbarian on the block, and he's gonna have a swell time of brawling and chopping monsters and rescuing princesses and offing wizards and drinking and brawling and ... and... etc... etc.... But in Howard's fiction the underlying black mood of pessimism is always there, and even Conan, who enjoys a binge or a good fight, is not having a good time of it at all. This is particularly true of Solomon Kane and King Kull-driven men whom not even a desperate battle can exorcise their black mood, while Conan at times can find brief surcease in excesses of pleasure or violence. I think Solomon Kane and King Kull were closer to Howard's true mood, while Conan represented the ability to escape briefly from black reality that Howard wished he could emulate. He failed. Of all Howard's characters I most prefer King Kull, and it is Kull who is closest to my own Kane..." ~ Karl Edward Wagner, Midnight Sun, "The Once and Future Kane", 2007, ISBN 978-1892389510 (First published in REH: Lone Star Fictioneer #1, Spring 1975)

 
Robert E. Howard
 

Alcohol doesn’t console, it doesn’t fill up anyone’s psychological gaps, all it replaces is the lack of God. It doesn’t comfort man. On the contrary, it encourages him in his folly, it transports him to the supreme regions where he is master of his own destiny.

 
Marguerite Duras
 

The lions had come into the plateau in great quantities and the herds of little pigs dwindled fast. Those the lions spared, Kane slew, and tossed to the jackals. This racked Kane's heart, for he was a kindly man and this wholesale slaughter, even of pigs who would fall prey to hunting beasts anyhow, grieved him. But it was part of his plan of vengeance and he steeled his heart.

 
Robert E. Howard
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