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D. H. Lawrence

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Is there no name later than Conrad's to be included in the Great Tradition? There is, I am convinced, one: D.H. Lawrence. Lawrence, in the English language, was the great genius of our time (I mean the age, or climatic phase, following Conrad's).
--
F. R. Leavis, The Great Tradition, 1948.

 
D. H. Lawrence

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How might one describe Max Beerbohm to someone who knows nothing about him? Well, for a start, one might imagine D.H. Lawrence. Picture the shagginess of Lawrence, his thick beard, his rough-cut clothes, his disdain for all the social and physical niceties. Recall his passionateness—his passion, so to say, for passion itself—his darkness, his gloom. Think back to his appeal to the primary instincts, his personal messianism, his refusal to deal with anything smaller than capital “D” Destiny. Do not neglect his humorlessness, his distaste for all that otherwise passed for being civilized, his blood theories and manifold roiling hatreds. Have you, then, D.H. Lawrence firmly in mind? Splendid. Now reverse all of Lawrence’s qualities and you will have a fair beginning notion of Max Beerbohm, who, after allowing that Lawrence was a man of “unquestionable genius,” felt it necessary to add, “he never realized, don’t you know—he never suspected that to be stark, staring mad is somewhat of a handicap to a writer.”

 
Max Beerbohm
 

It is fashionable among my friends to disparage [Conrad]. It is even necessary. Living in a world of literary politics where one wrong opinion often proves fatal, one writes carefully.... It is agreed by most of the people I know that Conrad is a bad writer, just as it is agreed that T. S. Eliot is a good writer. And now he is dead and I wish to God they would have taken some great, acknowledged technician of a literary figure and left him to write his bad stories.

 
Joseph Conrad
 

Well before James Joyce, Conrad was forging a vocabulary for the contemporary soul. This book grants us another opportunity to brood over a notable literary martyrdom. [review in the London Independent newspaper of Joseph Conrad: A Biography by Jeffrey Meyers]

 
Anthony Burgess
 

Do you suppose Latin American writers, trying to mix literary modernism with revolutionary politics, resent our blue-eyed exploitation of their continent as a sort of compost heap of the libidinal and the symbolic? Aren't D. H. Lawrence, Graham Greene, Robert Stone and Paul Theroux imperialists? What do black Africans think of Conrad, Bellow, Updike and Edgar Rice Burroughs? Why don't the white guys look for the heart of darkness in their own bathrooms?

 
John Leonard
 

There is no other man I know who could have achieved what Lawrence did. As for taking undue credit for himself, my own personal experience with Lawrence is that he was utterly unconcerned whether any kudos was awarded him or not.

 
Thomas Edward (T. E.) Lawrence
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