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Clive James

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To me [Sydney Opera House] looks like a portable typewriter full of oyster shells, and to the contention that it echoes the sails of yachts on the harbour I can only point out that the yachts on the harbour don't waste any time echoing opera houses.
--
'Postcard from Sydney'

 
Clive James

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As I begin this last paragraph, outside my window a misty afternoon drizzle gently but inexorably soaks the City of London. Down there in the street I can see umbrellas commiserating with each other. In Sydney Harbour, twelve thousand miles away and ten hours from now, the yachts will be racing on the crushed diamond water under a sky the texture of powdered sapphires. It would be churlish not to concede that the same abundance of natural blessings which gave us the energy to leave has every right to call us back. All in, the whippy's taken. Pulsing like a beacon through the days and nights, the birthplace of the fortunate sends out its invisible waves of recollection. It always has and it always will, until even the last of us come home.

 
Clive James
 

The floorboards point in parallel lines to a vanishing point that does not concern us -- somewhere beyond the opera house, across the streets, across the houses of the suburbs, all the way to a hypothetical single dot... on the sea's horizon. Far from this sour drama.

 
Peter Greenaway
 

The most elegant way of solving the opera problem would be to blow up the opera houses.

 
Pierre Boulez
 

The licentious tell men of orderly lives that they stray from nature's path, while they themselves follow it; as people in a ship think those move who are on the shore. On all sides the language is similar. We must have a fixed point in order to judge. The harbour decides for those who are in a ship; but where shall we find a harbour in morality? 383

 
Blaise Pascal
 

"With Pearl Harbour I think our people know full well it was coming. They always have a cover story, of course. [.....] They knew full well Pearl Harbour was going to be bombed. [....] They wanted that to bring us into the war. So I think people wanted very much something like 9-11. Whether those specific buildings or not, I don't know. A lot of shady stuff, like the buildings, I understand, were sold or something or insurance policies taken out, you know, just a few weeks before that. Buildings that hold 50,000 people only had, you know, 3000 killed. Lot of folks were told not to come to work. Somebody knew what was going on."

 
Kent Hovind
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