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Charles Dickens

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In Oliver Twist, Hard Times, Bleak House, Little Dorrit, Dickens attacked English institutions with a ferocity that has never since been approached. Yet he managed to do it without making himself hated, and, more than this, the very people he attacked have swallowed him so completely that he has become a national institution himself. In its attitude towards Dickens the English public has always been a little like the elephant which feels a blow with a walking-stick as a delightful tickling. Before I was ten years old I was having Dickens ladled down my throat by schoolmasters in whom even at that age I could see a strong resemblance to Mr. Creakle, and one knows without needing to be told that lawyers delight in Sergeant Buzfuz and that Little Dorrit is a favourite in the Home Office. Dickens seems to have succeeded in attacking everybody and antagonizing nobody.
--
George Orwell, in "Charles Dickens" (1939), also in Inside the Whale and Other Essays (1940).

 
Charles Dickens

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Dickens is one of those writers who are well worth stealing. Even the burial of his body in Westminster Abbey was a species of theft, if you come to think of it.
When Chesterton wrote his introductions to the Everyman Edition of Dickens’s works, it seemed quite natural to him to credit Dickens with his own highly individual brand of medievalism, and more recently a Marxist writer, Mr. T. A. Jackson, has made spirited efforts to turn Dickens into a blood-thirsty revolutionary. The Marxist claims him as ‘almost’ a Marxist, the Catholic claims him as ‘almost’ a Catholic, and both claim him as a champion of the proletariat (or ‘the poor’, as Chesterton would have put it).

 
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What Fielding was to the eighteenth century and Dickens to the nineteenth, Sinclair is to our own. The overwhelming knowledge and passionate expression of specific wrongs are more stirring, more interesting, and also more taxing than the cynical censure of Fielding and the sentimental lamentations of Dickens.

 
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An author that's in now might be out in ten years. And vice-versa. Who knows when the final sifting is done, in the year 2050, say, who will be read of my generation? You'd like to think you will be one. But there has to be a constant weeding that goes on. The Victorians read all kinds of writers who we don't have time for now. Who reads Thackeray? An educated person reads Dickens, or reads some Dickens. But Thackeray?

 
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The art of Dickens was the most exquisite of arts: it was the art of enjoying everybody. Dickens, being a very human writer, had to be a very human being; he had his faults and sensibilities in a strong degree; and I do not for a moment maintain that he enjoyed everybody in his daily life. But he enjoyed everybody in his books: and everybody has enjoyed everybody in his books even till to-day. His books are full of baffled villains stalking out or cowardly bullies kicked downstairs. But the villains and cowards are such delightful people that the reader always hopes the villain will put his head through a side window and make a last remark; or that the bully will say one more thing, even from the bottom of the stairs. The reader really hopes this; and he cannot get rid of the fancy that the author hopes so too.

 
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One of the greatest books ever written in the English language was called Little Dorrit, and as soon as Englishmen realised that Little Dorrit was true there would be a revolution.

 
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