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Bobby Fischer

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I can remember times coming home from a chess club at four in the morning when I was half asleep and half dead and forcing myself to pray an hour and study (the Bible) an hour. You know, I was half out of my head-stoned almost.

 
Bobby Fischer

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Memento mori—remember death! These are important words. If we kept in mind that we will soon inevitably die, our lives would be completely different. If a person knows that he will die in a half hour, he certainly will not bother doing trivial, stupid, or, especially, bad things during this half hour. Perhaps you have half a century before you die—what makes this any different from a half hour?

 
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Lazy, and would cost you a morning. I never started a day with Clint Eastwood in the first scene, because you knew he was gonna be late, at least a half hour or an hour.

 
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We hear only half of what is said to us, understand only half of that, believe only half of that, and remember only half of that.

 
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One has to reach to the absolute state of awareness: that is Zen. You cannot do it every morning for a few minutes or for half an hour and then forget all about it. It has to become like your heartbeat. You have to sit in it, you have to walk in it. Yes, you have even to sleep in it.

 
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As for the general idea of what one would do if certain of death in an hour—I fancy most persons in normal health tend to sentimentalise and romanticise a bit about it. For my part—as a realist beyond the age of theatricalism and naive beliefs—I feel quite certain that my own known last hour would be spent quite prosaically in writing instructions for the disposition of certain books, manuscripts, heirlooms, and other possessions. Such a task would—in view of the mental stress—take at least an hour—and it would be the most useful thing I could do before dropping off into oblivion. If I did finish ahead of time, I'd probably spend the residual minutes getting a last look at something closely associated with my earliest memories—a picture, a library table, an 1895 Farmer's Almanack, a small music-box I used to play with at 2 ?, or some kindred symbol—completing a psychological circle in a spirit half of humour and half of whimsical sentimentality. Then—nothingness, as before Aug. 20, 1890.

 
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