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Bill Hicks

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The idea of getting a, you know, syringe full of heroin and shooting it in the vein under my cock right now seems like almost a productive act.
--
I'm Sorry Folks (1989) (Title may refer to a bootleg recording of a live performance.)

 
Bill Hicks

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Here is this man, Kinski, and you have to put him on the screen. You have to take all his rage, all his intensity, all his demonic qualities, and make them productive for the screen. That was the task and there was no time for learning. I had to master the situation from day one, from the first day of shooting Aguirre. On set you have no choice. I had to be strong enough to shape him and force him to the utmost, beyond the limits of what is normally required for the shooting of a film. But he would push me equally-to the limit. It was not permissible to take even a little step back from his level of intensity and professionalism. And, of course, he literally would have been ready to die with me, if I had died on the ship in the rapids. He would have sunk in the ship with me, and vice versa. But I cannot deny that there were moments, which were dangerous, when we could have killed each other.

 
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Labour, upon whichever of those operations it be bestowed, is productive, because it concurs in the creation of a product. Thus the labour of the philosopher, whether experimental or literary, is productive; the labour of the adventurer or master-manufacturer is productive, although he perform no actual manual work; the labour of every operative workman is productive, from the common day-labourer in agriculture, to the pilot that governs the motion of a ship.

 
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Keith Richards is shooting heroin into his eyeballs and still touring all right! I'm getting mixed signals! I picture nuclear war and two things surviving: Keith and cockroaches! (does Keith Richards impression) "Where did everybody go-o? I saw a bright light and thought we were on ..."

 
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