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Asger Jorn

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If you add something to a painting, never let it be for aesthetic reasons. Only let it be for reasons of expression.
--
Statement to his friend Pierre Alechinsky, between 1965-1970, as quoted in Asger Jorn (2002) by Arken Museum of Modern Art, p. 115

 
Asger Jorn

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For – to say a few words on technique – whereas the curved line was used predominantly for reasons of beauty, (Phidias, Michelangelo, Raphael, Rubens) it has been used more and more economically for reasons of truth (Millet, Monet, Paul Cézanne) until it will end as the straight line for reasons of Love. This will enable the art of the future to create an international form; a form understandable to all and vital enough to the expression of a general feeling of love in a monumental way. Such is the future.

 
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It's very difficult to explain what I do. It is much more instinctive than you realize; much, much more. ... the reasons that make me interested in a subject are, how shall I say, fickle. Many times I have chosen, among three stories, one for reasons that are entirely accidental: I get up and think this one will be stupendous because the night before I had a certain dream. Or perhaps I put it better by saying that I had found inside myself reasons why this particular story seems more valid. ... I always have motives, but I forget them.

 
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Consider what kind of authority [can be ascribed to] any principle which it open to us to choose to regard as authoritative or not. I may choose for example to observe a regimen of asceticism and fasting ... for reasons of health ... What authority such principles possess derives from the reasons for my choice. Insofar as they are good reasons, the principles have corresponding authority; insofar as they are not, the principles are to that same extent deprived of authority. It would follow that a principle for the choice of which no reasons could be given would be a principle devoid of authority. I might indeed adopt such a principle from whim or caprice or from some arbitrary purpose ... but if I then chose to abandon the principle whenever it suited me, I would be entirely free to do so.

 
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When we are accustomed to use bad reasons for proving natural effects, we are not willing to receive good reasons when they are discovered. 96

 
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I'm not in any way trying to pass blame to any other person. There are reasons why I did what I did, but I'm still the one who did it, and the responsibility, no matter the reasons, is still mine.

 
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