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Arthur C. Clarke

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Clarke's Second Law: The only way of discovering the limits of the possible is to venture a little way past them into the impossible.
--
"Hazards of Prophecy: The Failure of Imagination" in Profiles of the Future (1962)

 
Arthur C. Clarke

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A work of art should express only that which elevates the soul and pleases it in a noble manner. The feeling of the artist should not overstep these limits; it is wrong to venture beyond.

 
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It would be impossible to find a deeper sense of education in discovering and developing personal capacities, and training them so that they would connect with the activities of others.

 
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I say: liberate yourself as far as you can, and you have done your part; for it is not given to every one to break through all limits, or, more expressively, not to everyone is that a limit which is a limit for the rest. Consequently, do not tire yourself with toiling at the limits of others; enough if you tear down yours. [...] He who overturns one of his limits may have shown others the way and the means; the overturning of their limits remains their affair.

 
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If a person whose life has been tried in some crucial difficulty has a friend and sometime later he is unable to retain the past clearly, if anxiety creates confusion, and if accusing thoughts assail him with all their might as he works his way back, then he may go to his friend and say, “My soul is sick so that nothing will become clear to me, but I confided everything to you; you remember it, so please explain the past to me again.” But if a person has no friend, he presumably goes to God if under other circumstances he has confided something to him, if in the hour of decision he called God as witness when no one understood him. And the one who went to his friend perhaps was not understood at times, perhaps was filled with self-loathing, which is even more oppressive, upon discovering that the one to whom he had confided his troubles had not understood him at all, even though he had listened, had not sensed what was making him anxious, but had only an inquisitive interest in his unusual encounter with life. But this would never happen with God; who would dare to venture to think this of God, even if he is cowardly enough to prefer to forget God-until he stands face-to-face with the judge, who passes judgment on him but not on the one who truly has God as a witness, because where God is the judge, there is indeed no judge if God is the witness. It by no means follows that a person’s life becomes easy because he learns to know God in this way. On the contrary, it can become very hard; it may become more difficult than the contemptible easiness of sensate human life, but in this difficulty life also acquires ever deeper and deeper meaning.

 
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In "Credo," an essay published in 1991, Clarke lays out a belief system by distinguishing between two views of God: Alpha, who "rewards good and evil in some vaguely described afterlife," and Omega, "Creator of Everything ... a much more interesting character and not so easily dismissed." Clarke writes, "No intelligent person can contemplate the night sky without a sense of awe. The mind-boggling vista of exploding supernovae and hurtling galaxies does seem to require a certain amount of explaining."

 
Arthur C. Clarke
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