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Antonio Porchia

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A door opens to me. I go in and am faced with a hundred closed doors.

 
Antonio Porchia

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When one door of happiness closes, another opens; but often we look so long at the closed door that we do not see the one which has been opened for us.

 
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…when I went out I tried to push the door instead of pulling it. 'Pull it, mate,' said someone, and I had to obey. I nearly tripped over a footscraper and, the door closed, had the impression of loud laughter. The vile blunt-razor-blade wind blew hard from my sister’s house. I felt ashamed and furious. In the East there was politeness, doors opened the right way, there were no footscrapers.

 
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I get the willies when I see closed doors. Even at work, where I am doing so well now, the sight of a closed door is sometimes enough to make me dread that something horrible is happening behind it, something that is going to affect me adversely; if I am tired and dejected from a night of lies or booze or sex or just nerves and insomnia, I can almost smell the disaster mounting invisibly and flooding out toward me through the frosted glass panes. My hands may perspire, and my voice may come out strange. I wonder why.
Something must have happened to me sometime.

 
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I noticed the following facts about people who work with the door open or the door closed. I notice that if you have the door to your office closed, you get more work done today and tomorrow, and you are more productive than most. But 10 years later somehow you don't quite know what problems are worth working on; all the hard work you do is sort of tangential in importance. He who works with the door open gets all kinds of interruptions, but he also occasionally gets clues as to what the world is and what might be important.

 
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A narrative is like a room on whose walls a number of false doors have been painted; while within the narrative, we have many apparent choices of exit, but when the author leads us to one particular door, we know it is the right one because it opens.

 
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