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Ann Coulter

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We need somebody to put rat poisoning in Justice Stevens's creme brulee. That's just a joke, for you in the media.
--
Remarks at Philander Smith College (26 January 2006), as quoted in "Coulter Jokes About Poisoning Supreme Court Justice" at Fox News (27 January 2006)

 
Ann Coulter

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...in New Year's Eve, we look out over the surging throng of ecstatic celebrants, and the sea of humanity is blue. They're all wearing freebie hats from Nivea skin creme. No hats for the Knicks, Budweiser or I Heart [sic] New York. All Nivea skin creme. Countless hats of Nivea blue. I've heard of product placement, but this is carpet bombing.

 
Roger Ebert
 

Stevens’s poetry makes one understand how valuable it can be for a poet to write a great deal. Not too much of that great deal, ever, is good poetry; but out of quantity can come practice, naturalness, accustomed mastery, adaptations and elaborations and reversals of old ways, new ways, even—so that the poet can put into the poems, at the end of a lifetime, what the end of a lifetime brings him. Stevens has learned to write at will, for pleasure; his methods of writing, his ways of imagining, have made this possible for him as it is impossible for many living poets—Eliot, for instance. Anything can be looked at, felt about, meditated upon, so Stevens can write about anything; he does not demand of his poems the greatest concentration, intensity, dramatic immediacy, the shattering and inexplicable rightness the poet calls inspiration.

 
Randall Jarrell
 

Though he made a joke when asked to do the right thing, he always did it. He was so much more in earnest than he appeared. He did not do himself justice.

 
Florence Nightingale
 

"In the end, we should simply imagine a joke; a long joke that's being continually retold in an accent too thick and too strange to ever be completely understood. Life is that joke. The soul is its punchline."

 
Tom Robbins
 

Post-religious man, as Stevens saw him, still had a deep need for the kind of exaltation of the body and spirit which goes under different names in different religions — Christians call it grace, that is, the feeling or knowledge that the workings of God are revealed to the individual, thus lifting him or her up to a state of ecstatic consciousness. ... For the romantics in general such moments of ecstasis in the midst of nature are experienced by the solitary imagination, and the bonds of society are cast away as unimportant. Stevens once said that the romantic is a falsification, and perhaps the reason for the comment was his feeling that such moments of ecstatic relation in the midst of nature had to be given a social and eventually political meaning, rather than remaining in the arena of the spirit. Stevens poetry then offers a pastoral romantic ecstasis that become the occasions for searching out the relations between the individual, his or her community and the natural world.

 
Wallace Stevens
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