I find poetic links, the logic of poetry in cinema, extraordinarily pleasing. They seem to me prefectly appropriate to the potential of cinema as the most truthful and poetic of art forms. Certainly I am more at home with them than with traditional theatrical writing which links images through the linear rigid logical development of plot. That sort of fussily correct way of linking events usually involves arbitrarily forcing them into sequence in obedience to some abstract notion of order. And even when this is not so, even when the plot is governed by the characters, one finds that the links which hold it together rest on a facile interpretation of life's complexities.
Andrei Tarkovsky
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Tarkovsky, Andrei
Tarn, Nathaniel
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