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We believe that to Christ belongs creative power — that "without Him was not any thing made which was made." We believe that from Him came all life at first. In Him life was as in its deep source. He is the fountain of life. We believe that as no being comes into existence without His creative power, so none continues to exist without His sustaining energy. We believe that the history of the world is but the history of His influence, and that the centre of the whole universe is the cross of Calvary.
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P. 56.

 

Alexander Maclaren

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In one way or another one "lives" the myth, in the sense that one is seized by the sacred, exalting power of the events recollected or re-enacted.
"Living" a myth, then, implies a genuinely "religious" experience, since it differs from the ordinary experience of everyday life. The "religiousness" of this experience is due to the fact that one re-enacts fabulous, exalting, significant events, one again witnesses the creative deeds of the Supernaturals; one ceases to exist in the everyday world and enters a transfigured, auroral world impregnated with the Supernaturals' presence. What is involved is not a commemoration of mythical events but a reiteration of them. The protagonists of the myth are made present; one becomes their contemporary. This also implies that one is no longer living in chronological time, but in the primordial Time, the Time when the event first took place. This is why we can use the term the "strong time" of myth; it is the prodigious, "sacred" time when something new, strong, and significant was manifested. To re-experience that time, to re-enact it as often as possible, to witness again the spectacle of the divine works, to meet with the Supernaturals and relearn their creative lesson is the desire that runs like a pattern through all the ritual reiterations of myths. In short, myths reveal that the World, man, and life have a supernatural origin and history, and that this history is significant, precious, and exemplary.

 

Mircea Eliade

 

One indeed is the Creator of all things, but many are the creative powers revolving in the heavens; we must, therefore, place the influence of the Sun as intermediate with respect to each single operation affecting the earth. Moreover, the principle productive of Life is vastly superabundant in the Intelligible World; our world, also, is evidently full of generative life. It is therefore clear that the life-producing power of the sovereign Sun is intermediate between these two, since the phenomena of Nature bear testimony to the fact; for some kinds of things the Sun brings to perfection, others of them he brings to pass, others he regulates, others he excites, and there exists nothing that, without the creative influence of the Sun, comes to light and is born.

 

Julian (Emperor)

 

The cross is the centre of the world's history; the incarnation of Christ and the crucifixion of our Lord are the pivot round which all the events of the ages revolve. The testimony of Christ was the spirit of prophecy, and the growing power of Jesus is the spirit of history.

 

Alexander Maclaren

 

In ceasing to subordinate creative power to any supreme value, modern art has brought home to us the presence of that creative power throughout the whole history of art.

 

Andre Malraux

 

On the fourth level, he embodies the mind and becomes a mediator of creative and religious inner experiences, through which life acquires an individual meaning. At this stage he confers on a woman a spiritual and intellectual solidity that counterbalances her essentially soft nature. He can then act as a liaison connecting her with the spiritual life of the time. When this occurs, women are often more open to new, creative ideas than men. That is why in the past women were often used as mediums able to make knowledge of the future available to the world of the spirit. The creative courage in the truth conferred by the animus gives a woman the daring to enunciate new ideas that can inspire men to new enterprises. Often in history women have recognized the value of new creative ideas earlier than men, who are more emotionally conservative. The nature of woman is more closely related to the irrational, and this makes a woman better able to open to new inspirations from the unconscious. The very fact that women normally participate less in public life than men do makes it possible for their animus to act as a "hidden prince" in the darkness of private life and bring about beneficial results.

 

Marie-Louise Von Franz