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Aleksandr Zinovyev

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One physicist writes a study on microphysics, but another writes a book on the importance of Lenin’s and Engels’ works for the development of physics; one mathematician proves theorems, another publishes demagoguery on ingenious mathematical ideas of classical Marxists.

 
Aleksandr Zinovyev

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Very broadly, I think one writes and rewrites the same book. I lead a character from book to book, I continue along with the same ideas. Only the angle of vision, the method, the lighting, change.

 
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After being relegated to an obscure mid-tier university, blocked from leading journals and openly mocked by his peers, including his former mentor, the late 19th century German mathematician found refuge for his groundbreaking work on infinities in, of all places, the Roman Catholic Church... Catholic theologians welcomed Cantor's ideas, which provided a workable way of understanding mathematical infinities, as evidence that humans could grasp the infinite and could also, therefore, have a greater understanding of God, himself infinite.
What a welcome relief this must have been to the chronically depressed Cantor! As John D. Barrow writes in The Infinite Book: A Short Guide to the Boundless, Timeless and Endless, Cantor "started to tell his friends that he had not been the inventor of the ideas about infinity that he had published. He was merely a mouthpiece, inspired by God to communicate parts of the mind of God to everyone else."

 
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...there is probably less difference between the positions of a mathematician and of a physicist than is generally supposed, [...] the mathematician is in much more direct contact with reality. This may seem a paradox, since it is the physicist who deals with the subject-matter usually described as ‘real’, but [...] [a physicist] is trying to correlate the incoherent body of crude fact confronting him with some definite and orderly scheme of abstract relations, the kind of scheme he can borrow only from mathematics.

 
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One man writes a novel. One man writes a symphony. It is essential that one man make a film.

 
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