i just realized that i hadn't posted about the film "An Inconvenient Truth." for those of you who don't know, this movie talks about global warming. i went into the movie a little skeptical, wondering if i was going to be preached at by al gore, the narrator and spokesperson for the film. it's a documentary, too, so i wasn't expecting anything too exciting. as it turns out, this movie is a must-see. it's not about al gore, tree-hugging hippies, george clooney, julia roberts, george bush, or U.S. issues. this film and the movement surrounding it is about being aware of the nasty turn our world and weather seems to be taking, and what we can do to turn it around before we ruin the only pace we have to live. the information in this film is shocking. parts of our planet that i assumed were covered in ice are now melting, and the photos of these places, seen in the movie, make me nervous. the links from this past year's natural disasters to the overall direction of global warming is an issue that is worth looking at. the ten hottest years ever measured were in the last 14 years. the hottest was last year, but it doesn't take a genius to tell that this year is hotter.
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LP/FM MB 2006Mike Shinoda
The movie is not that violent. There are ideas in the movie that are scary, but the film isn't about violence, the glorification of violence or the embracing of violence. In the movie, violence is a metaphor for feeling. It's a film about the problems or requirements involved with being masculine in today's society.
David Fincher
I think that it’s a very smart decision actually to have women that are capable and intelligent because it appeals to women. You know, so it’s not only a film for fifteen-year-old boys. It’s a film that can relate to a lot of people on a lot of levels. A lot of my girlfriends like it because of the romance or like Scarlett is in the trailer and it is appealing. 'Ooh who is she?' and it doesn’t look gratuitous. It looks like there are interesting women in the movie.
Gwyneth Paltrow
Well, what is a political film? A film about politicians? Or a film about issues — sexism, racism, the environment, nuclear policy? I decided on the broader definition. If I'd limited myself to films about politicians, it would have been a short list: How many characters in any mainstream American movie seem aware of the political process, or belong to a party?
Roger Ebert
Saving Silverman is so bad in so many different ways that perhaps you should see it, as an example of the lowest slopes of the bell-shaped curve. This is the kind of movie that gives even its defenders fits of desperation. Consider my friend James Berardinelli, the best of the Web-based critics. No doubt 10 days of oxygen deprivation at the Sundance Film Festival helped inspire his three-star review, in which he reports optimistically, "Saving Silverman" has its share of pratfalls and slapstick moments, but there's almost no flatulence." Here's a critical rule of thumb: You know you're in trouble when you're reduced to praising a movie for its absence of fart jokes, and have to add "almost"... as for Neil Diamond, Saving Silverman is his first appearance in a fiction film since The Jazz Singer, and one can only marvel that he waited 20 years to appear in a second film, and found one even worse than his first one.
Roger Ebert
The biggest thing I learned was, especially the way I operate and how I am as a person, if I'm going to do a creative endeavor, I need to have full, complete control. Top to bottom. And with my book and website, I always had that. With the website, definitely, with the book, basically, with the movie...I didn't in a lot of ways. Nils and I, we had a lot of control, more control probably than almost any first time movie makers do within a normal studio system. We were in the middle between independent and not, because someone else paid for everything, and they kind of let us do what we wanted, but then once the movie was done creatively, it went in a direction that I did not want it to go, and there was nothing I could really do about it. It's hard enough to swim in that movie current by yourself, but when you've got weights tied to you and someone pulling you in a different direction, it's almost impossible. You need to pick a direction and go with it. If you're going to be a big studio movie, go be that, and if you're going to go be a rogue independent film, go be that. We had different people with different levels of authority on the movie that pulled us in different directions, and it just doesn't work. Either be in control or let someone else do it, but don't...too many chefs. I'm going to be better next time. Failure instructs, failure improves. Failure shouldn't deter you, unless you're just bad at it.
Tucker Max
Shinoda, Mike
Shinseki, Eric
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