People have wondered where the seat of original sin is; I think it 's in the stomach. A man eats too much and neglects exercise, and the Devil has him all his own way, and the little imps, with their long black fingers, play on his nerves like a piano. Never overwork either body or mind, boys. All the work that a man can do that can be rested by one night's sleep is good for him, but fatigue that goes into the next day is always bad.
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Old Town Folks (1869) Ch. 39 Last Days In Cloud-LandHarriet Beecher Stowe
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When the devil comes at night to worry me, this is what I say to him: “Devil, I have to sleep now. That is God’s commandment, for us to work by day and sleep at night.” If he keeps on nagging me and trots out my sins, then I answer: “Sweet devil, I know the whole list. But I have done even more sin which is not on your list. Write there also that I have shit in my breeches. Hang it around your neck and wipe your mouth on it.” Then, if he won’t cease to accuse me of sins, I say in contempt: “Holy Satan, pray for me.” ("Sancte Satane, ora pro me").
Martin Luther
I was ever charitable and good to the poor, and scorn to take the bread out of another man's mouth. On the other side, by our Lady, they shall play me no foul play. I am an old cur at a crust, and can sleep dog-sleep when I list. I can look sharp as well as another, and let me alone to keep the cobwebs out of my eyes. I know where the shoe wrings me. I will know who and who is together. Honesty is the best policy, I will stick to that. The good shall have my hand and heart, but the bad neither foot nor fellowship. And in my mind, the main point of governing, is to make a good beginning.
Miguel de Cervantes
I wouldn’t play it in public — you need different muscles, you can’t use the upper arm, just the fingers. But the sound has a glow, because the strings aren’t damped, as on a piano. I wanted to visit Bach’s sound world, then apply those ideas to the piano.
Murray Perahia
I feel a fatigue of the tongue seeking to utter impossible things until it twists itself into a knot and chokes me. I feel a fatigue at this mass of nerves seeking to uphold a world that is falling apart. I feel a fatigue at feeling, at the fervor of my dreams, the fever of my thought, the intensity of my hallucinations. A fatigue at the sufferings of others and my own. I feel my own blood thundering inside of me, I feel the horror of falling into abysms. But you and I would always fall together and I would not be afraid. We would fall into abysms, but you would carry your phosphorescences to the very bottom of the abysms. We could fall together and ascend together, far into space. I was always exhausted by my dreams, not because of the dreams, but because of the fear of not being able to return. I do not need to return. I will find you everywhere. You alone can go wherever I go, into the same mysterious regions. You too know the language of the nerves. You will always know what I am saying even if I do not.
Anais Nin
The impulses which flow in the arm nerves of a typist convey to her fingers the translated information which reaches her eye or ear, in order that the fingers may be caused to strike the proper keys. Might not these currents be intercepted, either in the original form in which information is conveyed to the brain, or in the marvelously metamorphosed form in which they then proceed to the hand?
Vannevar Bush
Stowe, Harriet Beecher
Stowe, Madeleine
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