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"Mashups [...] nobody's going to listen to mashups in another ten years. Mashups are novelty music. They're like "The Monster Mash." They have no musical staying power. You're pursuing a phantom there. It's bad music, I mean, it's not bad— it's a pastiche, it's like magazine collage— which can be good for what it is. But to pretend that that's like tremendous creative work— No! It's a tremendous creative power— and it can have a tremendous audience, but it's not tremendously good. And we need a little bit of aesthetic honesty in confronting things like this. Just because it's new, and people with laptops can do it, and get away with it, and find an audience for it, does not make it a real cultural advance. It's an epiphenomenon."
--
in SXSW 2007 Bruce Sterling Rant (2007)

 

Bruce Sterling

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Here is music turned deliberately inside out in order that nothing will be reminiscent of classical opera, or have anything in common with symphonic music or with simple and popular musical language accessible to all...Here we have "leftist" confusion instead of natural human music. The power of good music to infect the masses has been sacrificed to a petty-bourgeois, "formalist" attempt to create originality through cheap clowning. It is a game of clever ingenuity that may end very badly.

 

Dmitri Shostakovich

 

I think there are some objective [musical] qualities... how complex something is, how melodic, how diverse the tonality is, et cetera. But I could also make a piece of music that contains all of those and yet isn't "good" from a subjective viewpoint. For example, take Beethoven's "Moonlight Sonata", Beatles "Yesterday", and Underworld's "Born Slippy", and play them all on top of each other at the same time. Great music in their own right, but terrible sounding together.

 

Andrew Sega

 

We have an obligation to one another, responsibilities and trusts. That does not mean we must be pigeons, that we must be exploited. But it does mean that we should look out for one another when and as much as we can; and that we have a personal responsibility for our behavior; and that our behavior has consequences of a very real and profound nature. We are not powerless. We have tremendous potential for good or ill. How we choose to use that power is up to us; but first we must choose to use it. We're told every day, "You can't change the world." But the world is changing every day. Only question is...who's doing it? You or somebody else?

 

J. Michael Straczynski

 

I celebrated my 21st birthday here, and that was the last time I drank in El Paso. [Audience cheers] You folks don't mess around, you know? Everyone was going, "It's your birthday," I was like, "It's my birthday!" "Do you want a drink?" "SUUURRREE!" And I kept drinking and drinking and drinking, and then the staff asked me, "Do you want to party?" I was like, [Slurring]"I want to party." "Do you want to dance?" [Slurring] "I wanna dance!" I passed out, you guys, and woke up at a place called the O.P. [Audience laughs and cheers] Yeah, the reason you people in El Paso are laughing is because you KNOW! I had no idea it was an "Alternative" night club. I'm in El Paso, I thought O.P. stood for: Orale prese! That is a bad way to sober up, you guys. I'm just dancing, you know [Imitates beat-box music] Boom, boom, boom, hey! Boom, boom, boom, hey! Boom, boom, boom- [Jumps like something's behind him] HEY! [Audience laughs] And behind me was this little guy going, [Little effeminate voice] "Pikachu!"

 

Gabriel Iglesias

 

[I'm] Very positive about the internet, Napster. I think it's a tremendous tool for reaching many more people than we ever could without it. When you release music you want it to be heard by people... Nothing is going to do that better than Napster. I can't tell you how many kids have come up to me and said, "I downloaded a couple of tunes off Napster and I went out and bought the album."...I don't really make money off of record sales anyway. (cited in Interview with David Draiman of Disturbed, NY Rock, July 2001)

 

David Draiman