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Aleksandr Solzhenitsyn

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Writers and artists can achieve more: they can CONQUER FALSEHOOD! In the struggle with falsehood art always did win and it always does win! Openly, irrefutably for everyone! Falsehood can hold out against much in this world, but not against art.
And no sooner will falsehood be dispersed than the nakedness of violence will be revealed in all its ugliness — and violence, decrepit, will fall.

 
Aleksandr Solzhenitsyn

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We shall be told: what can literature possibly do against the ruthless onslaught of open violence? But let us not forget that violence does not live alone and is not capable of living alone: it is necessarily interwoven with falsehood. Between them lies the most intimate, the deepest of natural bonds. Violence finds its only refuge in falsehood, falsehood its only support in violence. Any man who has once acclaimed violence as his METHOD must inexorably choose falsehood as his PRINCIPLE. At its birth violence acts openly and even with pride. But no sooner does it become strong, firmly established, than it senses the rarefaction of the air around it and it cannot continue to exist without descending into a fog of lies, clothing them in sweet talk. It does not always, not necessarily, openly throttle the throat, more often it demands from its subjects only an oath of allegiance to falsehood, only complicity in falsehood.

 
Aleksandr Solzhenitsyn
 

Cling to truth and it turns into falsehood. Understand falsehood and it turns into truth. Truth and falsehood are two sides of the same coin. Neither accept one nor reject the other.

 
Ryokan
 

Above all, avoid falsehood, every kind of falsehood, especially falseness to yourself. Watch over your own deceitfulness and look into it every hour, every minute.

 
Fyodor Dostoevsky
 

In calm retrospect we can appreciate better the disastrous effects of the poison of falsehood, whether officially, semi-officially, or privately manufactured. It has been rightly said that the injection of the poison of hatred into men's minds by means of falsehood is a greater evil in war-time than the actual loss of life. The defilement of the human soul is worse than the destruction of the human body. A fuller realization of this is essential.

 
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Like most artists who have made an invention of some kind, he tends to overplay the significance of his own and goes on about it as though it were a Rosetta Stone, with whose help all representation can be rescued from one-eyed falsehood.

 
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