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William Baziotes

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I can not evolve any concrete theory about painting.
--
Willem de Kooning, Moma Bulletin pp. 6,7, as quoted in Abstract Expressionist Painting in America, W.C, Seitz, Cambridge Massachusetts 1983, p. 135

 
William Baziotes

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We speak of concrete and not abstract painting because nothing is more concrete, more real then a line, a colour, a surface. A woman, a tree, a cow; are these concrete elements in a painting? No. A woman, a tree and a cow are concrete only in nature; in painting they are abstract, illusionistic, vague and speculative. However, a plane is a plane, a line is a line and no more or no less than that. "Concrete painting". Spirit has arrived at the age of maturity…

 
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We speak of concrete and not abstract painting because nothing is more concrete, more real than a line, a colour, a surface. (1925)

 
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Painting is an essentially concrete art and can only consist of the representation of real and existing things. It is a completely physical language, the words of which consist of all visible objects. An object which is abstract, not visible, non-existent, is not within the realm of painting.

 
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When I am in my painting, I am not aware of what I’m doing. It is only after a short of ‘get acquainted’ period that I see what I have been about. I have no fears about making changes, destroying the image, etc., because the painting has a life of its own. I try to let it come through. It is only when I lose contact with the painting that the result is a mess. Otherwise there is pure harmony, an easy give and take, and the painting comes out well.

 
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