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Tommy Lee

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I don't really put too much emphasis on what somebody else might think of it. Otherwise your putting limits on yourself.

 
Tommy Lee

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Coming to terms with the rhythms of women's lives means coming to terms with life itself, accepting the imperatives of the body rather than the imperatives of an artificial, man-made, perhaps transcendentally beautiful civilization. Emphasis on the male work-rhythm is an emphasis on infinite possibilities; emphasis on the female rhythms is an emphasis on a defined pattern, on limitation.

 
Margaret Mead
 

I say: liberate yourself as far as you can, and you have done your part; for it is not given to every one to break through all limits, or, more expressively, not to everyone is that a limit which is a limit for the rest. Consequently, do not tire yourself with toiling at the limits of others; enough if you tear down yours. [...] He who overturns one of his limits may have shown others the way and the means; the overturning of their limits remains their affair.

 
Max Stirner
 

"One afternoon several young gentlemen, visitors at Mount Vernon, and myself were engaged in pitching the bar, one of the athletic sports common in those days, when suddenly the colonel appeared among us. He requested to be shown the pegs that marked the bounds of our efforts; then, smiling, and without putting off his coat, held out his hand for the missile. No sooner,"observed the narrator, with emphasis, "did the heavy iron bar feel the grasp of his mighty hand than it lost the power of gravitation, and whizzed through the air, striking the ground far, very far, beyond our utmost limits. We were indeed amazed, as we stood around, all stripped to the buff, with shirt sleeves rolled up, and having thought ourselves very clever fellows, while the colonel, on retiring, pleasantly observed, 'When you beat my pitch, young gentlemen, I'll try again.'"

 
George Washington
 

Consider some of the qualities of typical modernistic poetry: very interesting language, a great emphasis on connotation, "texture"; extreme intensity, forced emotion — violence; a good deal of obscurity; emphasis on sensation, perceptual nuances; emphasis on details, on the part rather than on the whole; experimental or novel qualities of some sort; a tendency toward external formlessness and internal disorganization — these are justified, generally, as the disorganization required to express a disorganized age, or, alternatively, as newly discovered and more complex types of organization; an extremely personal style — refine your singularities; lack of restraint — all tendencies are forced to their limits; there is a good deal of emphasis on the unconscious, dream structure, the thoroughly subjective; the poet's attitudes are usually anti-scientific, anti-common-sense, anti-public — he is, essentially, removed; poetry is primarily lyric, intensive — the few long poems are aggregations of lyric details; poems usually have, not a logical, but the more or less associational style of dramatic monologue; and so on and so on. This complex of qualities is essentially romantic; and the poetry that exhibits it represents the culminating point of romanticism.

 
Randall Jarrell
 

[Boulding grasps the significance of sociobiology's emphasis on biogenetics] that there are biogenetic factors in learning capacity and potential can hardly be denied... [yet] biogenetically imposed limits to human learning... seem to be much more remote... than are the limitations imposed by the biogenetic structure."

 
Kenneth Boulding
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