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Tom Stoppard

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I'm showing an interest in your work. I thought you liked me showing an interest in your work. My showing. Save the gerund and screw the whale.
--
Max, Act I, scene I

 
Tom Stoppard

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I do not make films primarily for children. I make them for the child in all of us, whether we be six or sixty. Call the child "innocence". The worst of us is not without innocence, although buried deeply it might be. In my work I try to reach and speak to that innocence, showing it the fun and joy of living; showing it that laughter is healthy; showing it that the human species, although happily ridiculous at times, is still reaching for the stars.

 
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I do not want to see the allies defeated. But I do not consider Hitler to be as bad as he is depicted. He is showing an ability that is amazing and seems to be gaining his victories without much bloodshed. Englishmen are showing the strength that Empire builders must have. I expect them to rise much higher than they seem to be doing.

 
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Gregory's letters are extraordinarily interesting, not only as showing his character, but as giving a picture of his age. His tone, except to the emperor and the ladies of the Byzantine court, is that of a head master-sometimes commending, often reproving, never showing the faintest hesitation as to his right to give orders.

 
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Showing poverty is such a large part of my work because another thing that I am finding is that for me personally, doing this work helps me in trying to come to grips with my own upbringing and all that occurred during that time. Basically, this work to me is a sort of time for reflection, a pseudo inventory of "this is your life," a way to try to accept the concept of what was so inevitable.

 
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