Tuesday, April 30, 2024 Text is available under the CC BY-SA 3.0 licence.

Tom Stoppard

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To be an artist at all is like living in Switzerland during a world war. To be an artist in Zurich, in 1917, implies a degree of self-absorption that would have glazed over the eyes of Narcissus.
--
Carr, Act I

 
Tom Stoppard

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I learned three things in Zurich during the war. I wrote them down. Firstly, you're either a revolutionary or you're not, and if you're not you might as well be an artist as anything else. Secondly, if you can't be an artist, you might as well be a revolutionary. ... I forget the third thing.

 
Tom Stoppard
 

'Now, it's just occurred to me that we're missing something crucial. Ah, yes, an artist! Bugg, have we a court artist? We need an artist! Find us an artist! Nobody move!'

 
Steven Erikson
 

I ask no more from mortals
Than your beautiful face implies,—
The beauty the artist beholding
Interprets and sanctifies.
Who says that men have fallen,
That life is wretched and rough?
I say, the world is lovely,
And that loveliness is enough.
So my doubting days are ended,
And the labour of life seems clear;
And life hums deeply around me,
Just like the murmur here,
And quickens the sense of living,
And shapes me for peace and storm,—
And dims my eyes with gladness
When it glides into colour and form!

 
Robert Williams Buchanan
 

The modern artist is living in a mechanical age and we have a mechanical means of representing objects in nature such as the camera and photograph. The modern artist, it seems to me, is working and expressing an inner world – in other words – expressing the energy, the motion and the other inner forces... the modern artist is working with space and time, and expressing his feelings rather than illustrating.

 
Jackson Pollock
 

The artist, however faithful to his personal vision of reality, becomes the last champion of the individual mind and sensibility against an intrusive society and an officious state. The great artist is thus a solitary figure. He has, as Frost said, a lover's quarrel with the world. In pursuing his perceptions of reality, he must often sail against the currents of his time. This is not a popular role. If Robert Frost was much honored in his lifetime, it was because a good many preferred to ignore his darker truths. Yet in retrospect, we see how the artist's fidelity has strengthened the fibre of our national life. If sometimes our great artist have been the most critical of our society, it is because their sensitivity and their concern for justice, which must motivate any true artist, makes him aware that our Nation falls short of its highest potential. I see little of more importance to the future of our country and our civilization than full recognition of the place of the artist.

 
John F. Kennedy
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