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Thomas Henry Huxley

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To a person uninstructed in natural history, his country or seaside stroll is a walk through a gallery filled with wonderful works of art, nine-tenths of which have their faces turned to the wall.
--
"On the Educational Value of the Natural History Sciences" (1854).

 
Thomas Henry Huxley

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Oh, wonderful teacher! Oh, favored disciples! Oh, famous school — that built no marble halls, and collected no grand library, but turned all life into opportunity; made houses and streets and seaside and mountain-tops, places of discipline and recitation and delight! Oh, blest example — shining this day on the pages of history — our example, our dream, our desire!

 
John Heyl Vincent
 

You don't change the course of history by turning the faces of portraits to the wall.

 
Jawaharlal Nehru
 

This is going to be an image for the history books. If you come, I believe this may, and it may be in 100 years from now or 200 years from now, I believe this will be remembered as the moment America turned the corner. I don't know how it works out. I don't know if it even works out in my lifetime. But I believe this is the pivot point. Be there, with your children.

 
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I wear a pedometer, a little device that counts every step. It works as a goad, because you walk additional distances to pile up the numbers. The average person walks 2,000 to 3,000 steps a day. I walk 10,000 steps a day. I have lost a lot of weight as a result.

 
Roger Ebert
 

I worked at the Smithsonian for a number of years. I had a very low-level job. I didn't have much responsibility, but I did have a Smithsonian ID badge that gave me access to all of the museums on the mall, and also the National Gallery of Art. In those days, you could go anywhere, which you can't do now. You could get in behind the scenes and wander along these tunnels. There is a scene in "Prince of Flowers" where the characters are in the Paleontology Department of the Museum of Natural History where they really do have this Raiders of the Lost Ark-type vast space filled with all of these unopened cartons. ... I was really entranced with the idea of living in a museum. In Winterlong there are two parallel storylines and the one for Raphael takes place among this guild or tribe of curators who live in the ruins of the Smithsonian Institution.

 
Elizabeth Hand
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