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Thomas Henry Huxley

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I cannot but think that he who finds a certain proportion of pain and evil inseparably woven up in the life of the very worms, will bear his own share with more courage and submission; and will, at any rate, view with suspicion those weakly amiable theories of the Divine government, which would have us believe pain to be an oversight and a mistake, — to be corrected by and by. On the other hand, the predominance of happiness among living things — their lavish beauty — the secret and wonderful harmony which pervades them all, from the highest to the lowest, are equally striking refutations of that modern Manichean doctrine, which exhibits the world as a slave-mill, worked with many tears, for mere utilitarian ends.
There is yet another way in which natural history may, I am convinced, take a profound hold upon practical life, — and that is, by its influence over our finer feelings, as the greatest of all sources of that pleasure which is derivable from beauty.
--
"On the Educational Value of the Natural History Sciences" (1854).

 
Thomas Henry Huxley

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[Unlike the] utilitarian... I judge pleasure and pain to be of small importance compared to knowledge, the appreciation and contemplation of beauty, and a certain intrinsic excellence of mind which, apart from its practical effects, appears to me to deserve the name of virtue. [For] many years it seemed to me perfectly self-evident that pleasure is the only good and pain the only evil. Now, however, the opposite seems to me self-evident.
What first turned me away from utilitarianism was the persuasion that I myself ought to pursue philosophy, although I had (and have still) no doubt that by doing economics and the theory of politics I could add more to human happiness. It appeared to me that the dignity of which human existence is capable is not attainable by devotion to the mechanism of life, and that unless the contemplation of eternal things is preserved, mankind will become no better than well-fed pigs. But I do not believe that such contemplation on the whole tends to happiness. It gives moments of delight, but these are outweighed by years of effort and depression.

 
Bertrand Russell
 

Know that however ugly the parts appear
the whole remains beautiful. A severed hand
Is an ugly thing and man dissevered from the earth and stars
and his history... for contemplation or in fact...
Often appears atrociously ugly. Integrity is wholeness,
the greatest beauty is
Organic wholeness, the wholeness of life and things, the divine beauty
of the universe. Love that, not man
Apart from that, or else you will share man's pitiful confusions,
or drown in despair when his days darken.

 
Robinson Jeffers
 

I think that one may contribute (ever so slightly) to the beauty of things by making one's own life and environment beautiful, as far as one's power reaches.This includes moral beauty, one of the qualities of humanity, though it seems not to appear elsewhere in the universe. But I would have each person realize that his contribution is not important, its success not really a matter for exultation nor its failure for mourning; the beauty of things is sufficient without him.
(An office of tragic poetry is to show that there is beauty in pain and failure as much as in success and happiness.)

 
Robinson Jeffers
 

[On dealing with physical and emotional pain] … a friend taught me before I gave birth…“don't try to take your mind away from the pain. Go right into the centre of the pain”, because when she did that she found the pain dissipated. It's true for me anyway, but it's not always possible, I admit. It has become a valuable exercise to apply to different things in life, of not avoiding or disregarding pain or bad feelings. I just have to remember that nothing in life is ever stagnant and that this grief or ache is going to change because everything in life changes.

 
Jennifer Beals
 

To me, van Gogh is the finest painter of them all Certainly the most popular great painter of all time: The most beloved. His command of colour, the most magnificent. He transformed the pain of his tormented life into ecstatic beauty. Pain is easy to portray, but to use your passion and pain to portray the ecstasy and joy and magnificence of our world...no one had ever done it before. Perhaps no one ever will again. To my mind that strange, wild man who roamed the fields of Provence was not only the world’s greatest artist, but also one of the greatest men who ever lived.

 
Vincent van Gogh
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