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Stephenie Meyer

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It's not the face, but the expressions on it. It's not the voice, but what you say. It's not how you look in that body, but the things you do with it. You are beautiful."
--
Ian O'Shea to Wanderer, p. 390

 
Stephenie Meyer

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Bel canto does not mean beautiful singing alone. It is, rather, the technique demanded by the composers of this style — Donizetti, Rossini, and Bellini. It is the same attitudes and demands of Mozart and Beethoven, for example, the same approach and the same technical difficulties faced by instrumentalists. You see, a musician is a musician. A singer is no different from an instrumentalist except that we have words. You don't excuse things in a singer you would not dream of excusing in a violinist or pianist. There is no excuse for not having a trill, for not doing the acciaccatura, for not having good scales. Look at your scores! There are technical things written there to be performed, and they must be performed whether you like it or not. How will you get out of a trill? How will you get out of scales when they are written there, staring you in the face? It is not enough to have a beautiful voice. What does that mean? When you interpret a role, you have to have a thousand colors to portray happiness, joy, sorrow, fear. How can you do this with only a beautiful voice? Even if you sing harshly sometimes, as I have frequently done, it is a necessity of expression. You have to do it, even if people will not understand. But in the long run they will, because you must persuade them of what you're doing.

 
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One time I was in the men's room of the bar and there was a guy at the urinal. He was kind of drunk, and said to me in a mean-sounding voice, "I don't like your face. I think I'll push it in."
I was scared green. I replied in an equally mean voice, "Get out of my way, or I'll pee right through ya!"

 
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I think the secret of Maria Callas was her willpower. Maria Callas was born with all sorts of disadvantages. Her voice was not of the most beautiful quality, and still, she made this instrument the most expressive, the most telling, the most true to the music that she interpreted. Maria was not born a beautiful woman. Maria was fat, obese, ungraceful — when you realize the type of body she was born with, like that of a pachyderm — but she turned herself into possibly the most beautiful lady on the stage.

 
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Al Pacino: "She was doing a dance and she was naked under her coat. Over the course of the dance, she became inspired and opened her coat, and there she was. She has an extraordinarily beautiful body, like cut out of ivory. One day, when I'm old and I'm wheeled out on my porch wrapped in a blanket, if I have a beatific smile on my face, I'll probably be thinking of that."

 
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Al Pacino: "She was doing a dance and she was naked under her coat. Over the course of the dance, she became inspired and opened her coat, and there she was. She has an extraordinarily beautiful body, like cut out of ivory. One day, when I'm old and I'm wheeled out on my porch wrapped in a blanket, if I have a beatific smile on my face, I'll probably be thinking of that."

 
Madonna Ciccone
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