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As in a studio of creative Death
The giant sons of Darkness sit and plan
The drama of the earth, their tragic stage.
All who would raise the fallen world must come
Under the dangerous arches of their power;
For even the radiant children of the gods
To darken their privilege is and dreadful right.
None can reach heaven who has not passed through hell.

 

Sri Aurobindo

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Mozart's music is free of all exaggeration, of all sharp breaks and contradictions. The sun shines but does not blind, does not burn or consume. Heaven arches over the earth, but it does not weigh it down, it does not crush or devour it. Hence earth remains earth, with no need to maintain itself in a titanic revolt against heaven. Granted, darkness, chaos, death and hell do appear, but not for a moment are they allowed to prevail. Knowing all, Mozart creates music from a mysterious center, and so knows the limits to the right and the left, above and below. He maintains moderation.

 

Wolfgang Amadeus Mozart

 

That day of wrath, that dreadful day,
When heaven and earth shall pass away,
What power shall be the sinner's stay?
How shall he meet that dreadful day?

 

Walter Scott

 

Of myths some are theological, some physical, some psychic, and again some material, and some mixed from these last two. The theological are those myths which use no bodily form but contemplate the very essence of the Gods: e.g., Kronos swallowing his children. Since god is intellectual, and all intellect returns into itself, this myth expresses in allegory the essence of god.
Myths may be regarded physically when they express the activities of the Gods in the world: e.g., people before now have regarded Kronos as time, and calling the divisions of time his sons say that the sons are swallowed by the father.
The psychic way is to regard the activities of the soul itself; the soul's acts of thought, though they pass on to other objects, nevertheless remain inside their begetters.
The material and last is that which the Egyptians have mostly used, owing to their ignorance, believing material objects actually to be Gods, and so calling them: e.g., they call the earth Isis, moisture Osiris, heat Typhon, or again, water Kronos, the fruits of the earth Adonis, and wine Dionysus.
To say that these objects are sacred to the Gods, like various herbs and stones and animals, is possible to sensible men, but to say that they are Gods is the notion of madmen — except, perhaps, in the sense in which both the orb of the sun and the ray which comes from the orb are colloquially called "the sun".

 

Sallustius (or Sallust)

 

Forsooth, brothers, fellowship is heaven, and lack of fellowship is hell: fellowship is life, and lack of fellowship is death: and the deeds that ye do upon the earth, it is for fellowship's sake that ye do them, and the life that is in it, that shall live on and on for ever, and each one of you part of it, while many a man's life upon the earth from the earth shall wane.
Therefore, I bid you not dwell in hell but in heaven, or while ye must, upon earth, which is a part of heaven, and forsooth no foul part.

 

William Morris

 

Of course if we make good things, it is not only to the credit of science; it is also to the credit of the moral choice which led us to the good work. Scientific knowledge is an enabling power to do either good or bad — but it does not carry instructions on how to use it. Such power has evident value — even though the power may be negated by what one does.
I learned a way of expressing this common human problem on a trip to Honolulu. In a Buddhist temple there, the man in charge explained a little about the Buddhist religion for the tourists, and then ended his talk by telling them he had something to say to them that they would never forget — and I have never forgotten it. It was a proverb of the Buddhist religion:
"To every man is given the key to the gates of heaven; the same key opens the gates of hell."
What, then, is the value of the key to heaven? It is true that if we lack clear instructions to determine which is the gate to heaven and which the gate to hell, the key may be a dangerous object to use, but it obviously has value. How can we enter heaven without it?

 

Richard Feynman