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Sri Aurobindo

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An instant's visitor the godhead shone.
On life's thin border awhile the Vision stood
And bent over earth's pondering forehead curve.
Interpreting a recondite beauty and bliss
In colour's hieroglyphs of mystic sense,
It wrote the lines of a significant myth
Telling of a greatness of spiritual dawns,
A brilliant code penned with the sky for page.

 
Sri Aurobindo

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I am now convinced that the Reformation of the church will come from the east. In the west there is no spiritual life. (I'm speaking of the Protestant church and not the Roman Catholic church.) We have civilisation and we try to keep up culture, but we have no spiritual life. The east has a spiritual life. They know that colour influences the spirit more than black lines. In Russia there is still the notion that art is nearer religion than thinking in lines and logic. All abstract rationalising needs to be filled out with sensual thinking and feelings. In Russia there is still a strong impression of colour.

 
Martin Niemoller
 

Looking at these figures I was suddenly, almost forcibly, jerked clean out of the habitual, half-tied vision of things, and an inner clearness, clarity, as if exploding from the rocks themselves, became evident and obvious. ... The thing about this is that there is no puzzle, no problem, and really no "mystery."
All problems are resolved and everything is clear. The rock, all matter, all life, is charged with dharmakaya… everything is emptiness and everything is compassion. I don’t know when in my life I have ever had such a sense of beauty and spiritual validity running together in one aesthetic illumination. Surely with Mahabalipuram and Polonnaruwa my Asian pilgrimage has come clear and purified itself. I mean, I know and have seen what I was obscurely looking for. I don’t know what else remains but I have now seen and have pierced through the surface and have got beyond the shadow and the disguise.
The whole thing is very much a Zen garden, a span of bareness and openness and evidence, and the great figures, motionless, yet with the lines in full movement, waves of vesture and bodily form, a beautiful and holy vision.

 
Thomas Merton
 

My colour has no symbolic function whatever. I don't want any colour to be noticeable. I want the colour to be the colour of life, so that you would notice it as being irregular if it changed. I don't want it to operate in the modernist sense as colour, something independent. I don't want people to say, "Oh, what was that red or that blue picture of yours, I've forgotten what it was."

 
Lucian Freud
 

The place that the Lord sat on was simple, on the earth, barren and desert, alone in wilderness; his clothing was ample and full seemly, as falleth to a Lord; the colour of his cloth was blue as azure, most sad and fair. his cheer was merciful; the colour of his face was fair-brown, — with full seemly features; his eyes were black, most fair and seemly, shewing full of lovely pity, and, within him, an high Regard, long and broad, all full of endless heavens. And the lovely looking wherewith He looked upon His Servant continually, — and especially in his falling, — methought it might melt our hearts for love and burst them in two for joy. The fair looking shewed of a seemly mingledness which was marvellous to behold: the one was Ruth and Pity, the other was Joy and Bliss. The Joy and Bliss passeth as far Ruth and Pity as Heaven is above earth: the Pity was earthly and the Bliss was heavenly.

 
Julian of Norwich
 

When I had first caught sight of Matthew I saw the beauty in everything. Now I saw only ugliness and decay. All beauty was in the past. Again and again I wrote in poems, in notes, on scraps of paper. My whole life stretched out gloriously behind me. If I wrote that sick phrase once, I wrote it fifty times. And I believed it, too.

 
Stephen Fry
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