Tuesday, October 23, 2018 Text is available under the CC BY-SA 3.0 licence.

Skye Sweetnam

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"I co-wrote all the songs on my album, and co-produced a lot of them as well, So being involved in the creative aspect and not just singing is so important to me because, above everything, I love to create and I love to express myself."

Skye Sweetnam

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Feist's third album of new material, "The Reminder" is ... the album that should transform her from the darling of the indie-rock circuit to a full-fledged star, and do it without compromises. "The Reminder" is a modestly scaled but quietly profound pop gem: sometimes intimate, sometimes exuberant, filled with love songs and hints of mystery. ... In her new love songs Feist apologizes, confesses to longing, hints at betrayals and misunderstandings and wonders what might have been. Her voice is self-possessed yet unguarded, and it hovers in arrangements that are often modest just a handful of musicians playing together in a room but can also proffer gleaming instrumental hooks and nonsense syllables that invite singalongs. The songs find equipoise within heartache.

Leslie Feist

"The first four songs on the album (Still Suffering by Klank) I had written for the next Circle of Dust album. They were in slightly different forms, but then I liked them so much I just kept them for the Klank album. I had some chord changes and lyric changes so it wouldn't be redundant. It's not like Scott (Klayton) wrote half the album but he did help a lot. I used a lot of his suggestions." Daren 'Klank' Diolosa


On the second album I worked with a lot of people that I worked with on the Metamorphosis album. And when I worked on Metamorphosis I was so nervous and shy about going into the studio and working with people, they eventually toward the end made me feel so comfortable and so secure with myself. I loved working with them. I have a great relationship with them. I talk to them [all the time]. When we started talking about the second album, I was like, "I want to work with all the same people." They knew what was going on in my life, what I was going through. I would call them and say, "I feel like this right now. I want a song about this..." I never really felt like I had enough time to write my whole album and I don't know if I'm secure enough with myself to do that. But I wrote three songs on the album, one I wrote with my sister. It's so personal and these people really got what I was going through and how I feel inside. I think that's what makes it good and that's what makes me relate to them.

Hilary Duff

When I did "Unwrapped" -- that's one of my favorite albums I've ever done in my life -- I love it when someone listens to the whole album. But I would rather them be able to buy some songs that they like, [rather] than not buy the album at all . . . . You can't fight technology. You can't fight, you know, the consumer.

Gloria Estefan

[On 2 Live Crew] One song was 'Suck My Dick'. Not please. Not honey, do you have a minute? 'Suck My Dick'. Like soomething the Beatles coulda rolled out. "Hey, Jean, would you like to write 'Suck My Dick'?" "Well, I don't know, do we have time? Sounds like such a hard song to write." That was the song! 'Suck My Dick'! F**kin' album sold two million records with a song called "Suck My Dick"! Like the guy got up one morning and went, "you know, today I wanna write a song. Today I want to write a love song. I want to write a song that tells how a woman and a man feel when they meet each other for the first time and they fall in love; I want to put into words feelings that men have always had, but they've never been able to express. All right, I think I'll call this song..." [Pauses, then the audience yells "Suck My Dick"] Yeah. It's that song that's gonna be on that f**kin' Golden Oldie rap album in ten years... "Where were you when you heard 'Suck My Dick?'" Remember those old days?

Sam Kinison
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