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Saki

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The cook was a good cook, as cooks go; and as cooks go she went.
--
"Reginald on Besetting Sins"

 
Saki

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Obviously, I am the cook. The cook is the director. He arranges the menu, the seating order of the guests; he gives refuge to the lovers; he prepares the repast of the lover's body. The cook is a perfectionist and a rationalist, a portrait of myself.

 
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And you can't go, "There's a hair in my Jell-O. I'd like to send this back. Can I see the cook, please?" The cook is a big dude named Bubba Joe.

 
Tupac Shakur
 

(On Ainsley Harriott) I must admit, I tend to think - with Ainsley - if you're that happy, you haven't really understood the world. You see, I think that cheeriness is all very well. Beyond a certain point it becomes quite offensive. And how many versions of what is, basically, your dinner can Ainsley do? There must be executives stalking the corridors of White City, thinking 'We need a new idea for Ainsley. He's so jolly. What can we have? We've had him doing Can't Cook, Won't Cook, Ready Steady Cook, Barbecues. We need something new, different, edgy. How about this? We like this. Ainsley's Death-Row Dinners.' Yes, the jolly chef tours the condemned man with a last supper to remember. We can have the recipes in the Radio Times - Ainsley's Humanely Fried Chicken, with a lethal injection of butter! - guaranteed to make the governor say 'Pardon'. (Wrap Up Warm tour, May 2004)

 
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The more Cooks, the worse Broth.

 
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Here is a Civil War movie that Trent Lott might enjoy. Less enlightened than Gone with the Wind, obsessed with military strategy, impartial between South and North, religiously devout, it waits 70 minutes before introducing the first of its two speaking roles for African Americans; "Stonewall" Jackson assures his black cook that the South will free him, and the cook looks cautiously optimistic. If World War II were handled this way, there'd be hell to pay.

 
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