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I think the ideas (as starting point for his paintings, fh) are based upon very obvious physical facts – notions that are also simple-minded, such as, in the ‘White Paintings’, wanting to know if that was a thing to do or not, or in ‘Factum’, wondering about what the role of accident is. Those aren’t really very involved ideas.
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I never thought of it as much of an ability, interview by Richard Kostelanetz, Partisan Review No. 35, New York 1968, pp. 96-106

 

Robert Rauschenberg

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I make what it pleases me to make.. ..I have no ideas about what the paintings imply about the world. I don’t think that’s a painter’s business. He just paints paintings without a conscious reason. I intuitively paint flags.

 

Jasper Johns

 

Fundamental ideas play the most essential role in forming a physical theory. Books on physics are full of complicated mathematical formulae. But thought and ideas, not formulae, are the beginning of every physical theory. The ideas must later take the mathematical form of a quantitative theory, to make possible the comparison with experiment.

 

Albert Einstein

 

The paintings of Francis Bacon to my eye are very beautiful. The paintings of Bosch or Goya are to my eye very beautiful. I've also stood in front of those same paintings with people who've said, "let's get on to the Botticellis as soon as possible." I have lingered, of course.

 

Clive Barker

 

There science is dealing with physical facts, in art we are dealing with psychic effects. With this I come to my first statement: The source of art – that is, where it comes from – is the discrepancy between physical fact and psychic effect. That’s what I’m talking about. When I want to speak about why I am doing the same thing now, which is squares, for – how long? – 19 years. Because there is no final solution in any visual formulation. Although this may be just a belief on my part, I have some assurances that that is not the most stupid thing to do, through Cézanne, whom I consider as one of the greatest painters. From Cézanne we have, so the historians tell us – 250 paintings of Mont St. Victoire. But we know that Cézanne has left in the fields often more than he took home because he was disappointed with his work. So we may conclude he did many more than 250 of the same problem.

 

Joseph Albers

 

I'm now in a big working period, which takes me up so much that hardly anything of me remains. I have never been strong in theories and this becomes worse and worse. My work should give me satisfaction, and that is about life and death.. .. Several paintings full of life and beauty arose again and give me the courage and joy to proceed on the road. There are also several paintings in which I am involved for less than half, discharges in a short time, which have existence for a while, but will not reach shaping.

 

Bram van Velde