It is completely irrelevant that I am making them. ‘Today’ is their creator. (1950, comment on his series ‘White Paintings’)
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Abstract Art, Anna Moszynska, Thames and Hudson 1990, p. 199Robert Rauschenberg
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I had given up ( around 1950, fh) any ambition of making a career as an artist… ..I had lost all interest in the art shown in galleries and museums, and I no longer aspired to fit in that world. I loved the paintings done by children, and my only desire was to do the same for my own pleasure.
Jean Dubuffet
Through them (his paintings) I breathe again. (lost statement for his 1950 show)
Clyfford Still
..not paintings in the usual sense. They are life and death merging in fearful union (1950, on his own work, fh)
Clyfford Still
My art in the last period has all been in small format, but my paintings have become even deeper and more spiritual, speaking truly through colour. Feeling that because of my illness I would not be able to paint very much longer, I worked like a man obsessed on these little ‘Meditations’ (a long series of small paintings he made during the last years of his life, with as main motif the schema of a face, ed.). And now I leave these small but, to me, important works to the future and to people who love art.
Alexej von Jawlensky
I think the ideas (as starting point for his paintings, fh) are based upon very obvious physical facts – notions that are also simple-minded, such as, in the ‘White Paintings’, wanting to know if that was a thing to do or not, or in ‘Factum’, wondering about what the role of accident is. Those aren’t really very involved ideas.
Robert Rauschenberg
Rauschenberg, Robert
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