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Robert Pinsky

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Poetry is a vocal art for me, not neccessarily performative, it might be reading to one self or recalling some lines by memory.The speaker bringing their own experience to it,changing it with their own sensibility.

 
Robert Pinsky

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Experience has taught me, when I am shaving of a morning, to keep watch over my thoughts, because, if a line of poetry strays into my memory, my skin bristles so that the razor ceases to act...The seat of this sensation is the pit of the stomach. Houseman's test for great poetry.

 
A. E. Housman
 

What does an instinctively popular poet do in contemporary America, where serious poetry is no longer a popular art? The public whose values and sensibility he celebrates is unaware of his existence. Indeed, even if they were aware of his poetry, they would feel no need to approach it. Cut off from his proper audience, this poet feels little sympathy with the specialized minority readership that now sustains poetry either as a highly sophisticated verbal game or secular religion. His sensibility shows little similarity to theirs except for the common interest in poetry. And so the popular poet usually leads a marginal existence in literary life. His fellow poets look on him as an anomaly or an anachronism. Reviewers find him eminently unnewsworthy. Publishers see little prestige attached to printing his work. Critics, who have been trained to celebrate complexity, consider him an amiable simpleton.

 
Dana Gioia
 

We like books that have a lot of dreck in them, matter which presents itself as not wholly relevant (or indeed, at all relevant) but which, carefully attended to, can supply a kind of “sense” of what is going on. This “sense” is not to be obtained by reading between the lines (for there is nothing there, in those white spaces) but by reading the lines themselves—looking at them and so arriving at a feeling not of satisfaction exactly, that is too much to expect, but of having read them, of having “completed” them.

 
Donald Barthelme
 

Reading is an active and elusive experience. Every reader, reading exactly the same text, will have a slightly different reading experience depending on what s/he projects into the words s/he sees, what strings of meaning and association those words call up in his/her (always) private mind. One can never therefore, talk about the quality of a book separately from the quality of the mind that is creating it by reading it, in the only place books live, in the secret mind.

 
Lois McMaster Bujold
 

Intensity of communication, emotion, how the fusion of poetry is related to me as a listener. I’m disappointed by the bland and perfect vocal accomplishment, which I hear on so many recordings. Which is not to say that classical singers shouldn’t try to become vocally masterful. I take my cue more and more from good pop singers. The other day I was looking at an early concert of Elvis Presley. It was fascinating to watch, the body language, the vocal suppleness

 
Elvis Presley
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