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Robert M. Pirsig

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You see things vacationing on a motorcycle in a way that is completely different from any other. In a car you're always in a compartment, and because you're used to it you don't realize that through that car window everything you see is just more TV. You're a passive observer and it is all moving by you boringly in a frame.
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Ch. 1

 
Robert M. Pirsig

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"Well, his predominant activity is playing. He plays all the time. One of his favorite things Is to ride around and around on his motorcycle. He likes to tie things on the back of the motorcycle, and drag them around behind him. Or sometimes he'll tie things on the back of the motorcycle and let us sit on them and drag us behind him. Or sometimes he will give people a ride on the motorcycle.

 
Maharaji (Prem Rawat)
 

[S]ome of my letters must have gone astray, as you seem only to have heard incidentally about the spear thrown at me by the natives, and some other affairs which have been nearly forgotten by me. I must now tell you about the spear. One day (as children's tales commence) I was standing in the parlour between two windows, when I was startled by a smart heavy blow on the window frame at my left side; thinking it was a practical joke of some passing friend, I went out leisurely and was surprized to see two natives running away. On looking at the window, I found the point of a spear buried about two inches in the corner of the window frame; the spear lay under the window. I was, as you may suppose, more satisfied to see it there than sticking in my side, for which it seemed well aimed. This occurred long ago, and I have never seen a native here since; it was the celebrated Ya-gan, who so complimented me.

 
Yagan
 

There are three ways to understand things. If somebody tells you something, who you respect, you'll say, Okay, since you are saying it, I'll believe it. Second way is that, This is what my concept is, so I'll believe it. But the third way is a very independent way, which is called, seeing is believing. That you see, that you feel, you realize practically, without anybody's concept, but actually be able to realize it completely, completely independently. And then feel it. And this is what I beg of every premie to do. Instead of to follow a bunch of concepts down the line, see this Knowledge, believe this Knowledge -— by yourself, independent of any concepts, any thoughts, any ideas.

 
Maharaji (Prem Rawat)
 

Instead of making a picture that was an interpretation of a thing seen, or a picture of invented content, I found an object and ‘presented’ it as itself alone. My first object was “Window, Museum of Modern Art, Paris’, done in 1949. After constructed ‘Window’ with two canvases and a wood frame I realized that from then on painting as I had known it was finished for me. The new works were to be objects, unsigned, anonymous.

 
Ellsworth Kelly
 

Now, one sees all that by observing, by being aware, watching, one is aware of all this. Then out of that awareness you see there is no division between the observer and the observed. It is a trick of thought which demands security. Please don't madam, please. And by being aware it sees the observer is the observed, that violence is the observer, violence is not different from the observer. Now how is the observer to end himself and not be violent? Have you understood my question so far? I think so. Right? The observer is the observed, there is no division and therefore no conflict. And is the observer then, knowing all the intricacies of naming, linguistically caught in the image of violence, what happens to that violence? If the observer is violent, can the observer end, otherwise violence will go on? Can the observer end himself, because he is violent? Or what reality has theobserver? Right sir? Is he merely put together by words, by experience, by knowledge? So is he put together by the past? So is he the past? Right? Which means the mind is living in the past. Right? obviously. You are living in the past. Right? No? As long as there is an observer there must be living in the past, obviously. And all our life is based on the past, memories, knowledge, images, according to which you react, which is your conditioning, is the past. And living has become the living of the past in the present, modified in the future. That's all, as long as the observer is living. Now does the mind see this as a truth, as a reality, that all my life is living in the past? I may paint most abstract pictures, write the most modern poems, invent the most extraordinary machinery, but I am still living in the past.

 
Jiddu Krishnamurti
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