I never worry about people not taking my work seriously as a result of the humor. In the end, the comic’s best trick is the illusion that comedy is effortless. That people imagine what he’s doing is easy is an occupational hazard. Cary Grant never won an Oscar, primarily, I suspect, because he made everything look so effortless. Why reward someone for having fun, for being charming? In "serious" fiction (as in "serious" film) you can feel the weight of the material. You expect to see the effort and the strain of all that heavy lifting, and we reward the effort as much as the success. Comedy is often just as serious, and to ignore that seriousness is misguided, of course, but most writers with comic world views have accustomed themselves to being sold at a discount. Most of us wouldn’t have it any other way.
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"Interview with Richard Russo". Failbetter.com, Volume II, Issue III. Summer/Fall 2001. Retrieved on September 24, 2009.Richard Russo
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Then there was this extra on the set who runs up to me and says, "Oh, I know you! I know who you is, I seen you before. You that comedienne, Margaret Cho! I saw you at the Comedy Store. You was wearin' a kimono and you was bowin'." "No, that's the other one." "Oh, right! Now I remember. I just didn't recognize you because you've put on a little weight since your show." And it didn't piss me off that she said that, but it was that she said, "You put on a lot of *gestures* weight!" so I'll know exactly where I put it. And it pissed me off, so I just sort of talked about it to everybody for the whole day. The next day I come into work and the assistant producer comes over to me and says, "Uh, you know that lady from the other day? Well, don't worry. We took care of her." Oh my God! What did you do?! Suddenly I felt like I was running around like this tyrant, all drunk with power- "Nobody can call me fat on this set!"
Margaret Cho
Originally I was content to just simply accept the money, that was offered when people had adapted my comic books into films. Eventually I decided to refuse to accept any of the money for the films, and to ask if my name could be taken off of them, so that I no longer had to endure the embarrasment of seeing my work travested in this manner. The first film that they made of my work was "From Hell" Which was an adaptation of my "Jack the Ripper" narrative … In which they replaced my gruff Dorset police constable with Johhny Depp's Absinthe-swigging dandy. The next film to be made from one of my books was the regrettable "League of Extraordinary Gentlemen"... Where the only resemblence it had to my book was a similar title. The most recent film that they have made of mine is apparently this new "V for Vendetta" movie which was probably the final straw between me and Hollywood. They were written to be impossible to reproduce in terms of cinema, and so why not leave them simply as a comic in the way that they were intended to be. And if you are going to make them into films, please try to make them into better ones, than the ones I have been cursed with thus far.
Alan Moore
At the risk of appearing disingenuous, I don’t really think of myself as "writing humor." I’m simply reporting on the world I observe, which is frequently hilarious. Here’s the thing. Most of what we witness in life is too complex to take in whole. Because of this we unconsciously edit what we see, select what to really record and what to ignore, which is why people who look at the same thing don’t necessarily see the same thing...Comic writers don’t so much invent funny things as strip away the distractions, the impediments to laughter.
Richard Russo
"Leaf by Niggle" ends as a comedy, even as a "divine comedy," on more levels than one. But while it looks forward to "divine comedy", it incorporates and springs from a sense of earthly tragedy: failure, anxiety, and frustration.
J. R. R. Tolkien
"Also, I love my google ads. I have no idea if I make a dime off them, and in fact would pay to have them for what they add to the overall nuklearpower.com experience. Case in point: I just saw an ad for "Rodent Supplies." The obvious question now is, "How do I plug those damn google ad things into Photoshop so I can retire while the comic factory pumps out comedy gold three times a week?""
Brian Clevinger
Russo, Richard
Russolo, Luigi
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