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Randall Jarrell

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But there is a Pope in the breast of each of us whom is hard to silence. Long ago a lady said to me, when I asked her the composers she liked: “Dvorak.” I said before I could stop myself: “Dvorak!” How many times, and with what shame, I’ve remembered it. And now I like Dvorak...
--
“Speaking of Books”, p. 220

 
Randall Jarrell

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In the case of a novel, or any imaginative work, especially if the tone is poetic, my own preference is for ending with a touch of symbolism which shall leave the reader brooding. A fine novel, a well-written story, "proves" nothing. Certain characters have played their parts, life goes on, and the final passage may be allowed to remain with one foot in the air, as is the case with some of Chopin's conclusions. But there is no absolute rule in such matters, and there are epic novelists who like to end on a powerful crescendo, as Ravel does in Bolero, or Dvorak in the New-World Symphony. Composition has features which are common to all the arts, and the author can learn as much about his business in the concert hall as in the library.

 
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We use the word God. God hooks all the other words up. I'm the pope. I'm ten times the pope. I'm sixty times the pope. But I'm the pope in the hills and in the mountains.

 
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[She was the first pop singer to perform for a Pope.] And a woman at that. Apparently Pope John Paul II and his boys -- is that what you call them? -- loved one of my songs and thought I was puting spiritual messages in my music. I'm not religious as such. Dogma and I don't get along. They knew all that, but the Pope was celebrating 50 years as a priest, and he asked for me. Quite an audience -- bishops, cardinals, a handful of nuns -- and me, covered from neck to ankles.

 
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And she walked away in silence,
It's strange, how you never know,
But we'd both gotten what we'd asked for,
Such a long, long time ago.

 
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