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Randall Jarrell

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...the work of a poet who has a real talent, but not for words.
--
of The Listening Landscape by Marya Zaturenska; “Town Mouse, Country Mouse”, p. 69

 
Randall Jarrell

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He was wonderful, very pure, very bitter but the bitterness was beautifully and very sparely rendered. He was completely authoritative, a very, very fine poet, completely off on his own, out of the loop but a real individual. It's not about being a major or minor poet. It's about getting a work absolutely right by your own standards and he did that wonderfully well.

 
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“In real life, my sweet poet,” the duke said as the swordsmen circled, “words can never be undone.”

 
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Tony the Beat Poet says the words alone, lonely and loneliness are three of the most powerful words in the English language. I agree with Tony. Those words say that we are human; they are like the words hunger and thirst. But they are not words about the body, they are words about the soul.

 
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I am like a poet on the threshold of a work, an accursed, sterile poet who will leave no glory behind, to whom chance lent the truth that genius would have given him, a frail work which will pass away with me, mortal and sealed to others like myself, but a sublime work nevertheless, which will show the essential outlines of life and relate the drama of dramas.

 
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But, whenever a portion of this facility we may suppose even the greatest Poet to possess, there cannot be a doubt that the language which it will suggest of him, must, in liveliness and truth, fall far short of that with is uttered by men in real life, under the actual pressure of these passions, certain shadows of which the poet thus produced, or feels to be produced, in himself. However exalted a notion we would wish to cherish of the character of a Poet, it is obvious, that, while he describes and imitates passions, his situation is altogether slavish and mechanical, compared with the freedom and power of real and substantial action and suffering.

 
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