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Randall Jarrell

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One of our universities recently made a survey of the reading habits of the American public; it decided that forty-eight percent of all Americans read, during a year, no book at all. I picture to myself that reader — that non-reader, rather; one man out of every two — and I reflect, with shame: "Our poems are too hard for him." But so, too, are Treasure Island, Peter Rabbit, pornographic novels — any book whatsoever.
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"The Obscurity of the Poet," Harvard University lecture (1950-08-15), published in Poetry and the Age (1953)

 
Randall Jarrell

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I've noticed a certain anti-intellectualism going around this country; since about 1980, coincidentally enough. … I was in Nashville, Tennessee, and after the show I went to a Waffle House. I'm not proud of it, but I was hungry. And I'm sitting there eating and reading a book. I don't know anybody, I'm alone, so I'm reading a book. The waitress comes over to me like, [gum smacking] "What'chu readin' for?" I had never been asked that. Not "What am I reading?", but "What am I reading for?" Goddammit, you stumped me. Hmm, why do I read? I suppose I read for a lot of reasons, one of the main ones being so I don't end up being a f**king waffle waitress.

 
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When I was asked to talk about the Obscurity of the Modern Poet I was delighted, for I have suffered from this obscurity all my life. But then I realized that I was being asked to talk not about the fact that people don’t read poetry, but about the fact that most of them wouldn’t understand it if they did: about the difficulty, not the neglect, of contemporary poetry. And yet it is not just modern poetry, but poetry, that is today obscure. Paradise Lost is what it was; but the ordinary reader no longer makes the mistake of trying to read it — instead he glances at it, weighs it in his hand, shudders, and suddenly, his eyes shining, puts it on his list of the ten dullest books he has ever read, along with Moby-Dick, War and Peace, Faust, and Boswell’s Life of Johnson. But I am doing this ordinary reader an injustice: it was not the Public, nodding over its lunch-pail, but the educated reader, the reader the universities have trained, who a few weeks ago, to the Public’s sympathetic delight, put together this list of the world’s dullest books.
Since most people know about the modern poet only that he is obscure—i.e., that he is difficult, i.e., that he is neglected — they naturally make a causal connection between the two meanings of the word, and decide that he is unread because he is difficult. Some of the time this is true: the poet seems difficult because he is not read, because the reader is not accustomed to reading his or any other poetry.

 
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There is only one way to read, which is to browse in libraries and bookshops, picking up books that attract you, reading only those, dropping them when they bore you, skipping the parts that drag — and never, never reading anything because you feel you ought, or because it is part of a trend or a movement. Remember that the book which bores you when you are twenty or thirty will open doors for you when you are forty or fifty — and vice versa. Don’t read a book out of its right time for you.

 
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