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Paul Gauguin

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One may wonder if any painter in the last century put more meaning into his sense of color than Gauguin.
--
Robert Hughes, "Paul Gauguin," in Nothing If Not Critical: Selected Essays on Art and Artists (Viking/Penguin, 1991, ISBN 0-394-58026-5), p. 152

 
Paul Gauguin

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The popular fancy that Gauguin "discovered himself" as a painter in Tahiti is quite wrong. All the components of his work — the flat patterns of colour, the wreathing outlines, the desire to make symbolic statements about fate and emotion, the interest in "primitive" art, and the thought that color could function as a language — were assembled in France before 1891.

 
Paul Gauguin
 

I make a little mystique for myself. Since I have no preference or so-called sense of color, I could take almost everything that could be some accident of a previous painting. Or I set out to make a series. I take, for instance, some pictures where I take a color, some arbitrary color I took from some place. Well, this is gray maybe, and I mix the color for that, and then I find out that when I am through with getting the color the way I want it, I have six other colors in it, to get that color; and then I take those six colors and I use them also with this color. It is probably like a composer does a variation on a certain theme. But it isn’t technical, it isn’t just fun.

 
Willem de Kooning
 

As soon as you look at the world through an ideology you are finished. No reality fits an ideology. Life is beyond that. That is why people are always searching for a meaning to life. But life has no meaning; it cannot have meaning because meaning is a formula; meaning is something that makes sense to the mind. Every time you make sense out of reality, you bump into something that destroys the sense you made. Meaning is only found when you go beyond meaning. Life only makes sense when you perceive it as mystery and it makes no sense to the conceptualizing mind.

 
Anthony de Mello
 

..it was because of the general inclination, until very recently, to believe that art exists in art. At every opportunity, I’ve tried to correct6 that idea, suggesting that art is only a part – one of the elements that we live with.. ..Being a painter, I probably take a painting more seriously than someone who drives a truck or something. Being a painter, I probably also take his truck more seriously. In the sense of looking at it and listening to it and comparing it to other trucks and having a sense of its relationship to the road and the sidewalk and the things around it and the driver himself. Observation and measure are my business.

 
Robert Rauschenberg
 

Gauguin interests me very much as a man — very much. For a long time now it has seemed to me that in our nasty profession of painting we are most sorely in need of men with the hands and the stomachs of workmen. More natural tastes — more loving and more charitable temperaments — than the decadent dandies of the Parisian boulevards have. Well, here we are without the slightest doubt in the presence of a virgin creature with savage instincts. With Gauguin blood and sex prevail over ambition.

 
Paul Gauguin
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