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Pablo Picasso

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A friend built a modern house and he suggested that Picasso too should have one built. But, said Picasso, of course not, I want an old house. Imagine, he said, if Michelangelo would have been pleased if someone had given him a fine piece of Renaissance furniture, not at all.
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Gertrude Stein, Picasso (1938) [Dover, 1984, ISBN 0-486-24715-5], p. 31
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Note: Stein used the spelling "Michael Angelo" rather than "Michelangelo." The quotation preserves this spelling.

 
Pablo Picasso

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At that time I was very friendly with Picasso. Our temperaments were very different, but we had the same idea. Later on it became clear, Picasso is Spanish and I am French; as everyone knows that mean a lot of differences, but during those days the differences did not count.. ..We were living in Montmarte, we used to meet every day, we used to talk.. ..In those years Picasso and I said things to each other that nobody will ever say again, that nobody could say any more.. ..It was rather like a pair of climbers roped together.

 
Georges Braque
 

If we had never met Picasso, would Cubism have been what it is? I think not. The meeting with Picasso was a circumstance in our lives.

 
Georges Braque
 

The House of Fantasy is built of stone and wood and furnished in High Medieval. Its people travel by horse and galley, fight with sword and spell and battle-axe, communicate by palantir or raven, and break bread with elves and dragons.
The House of Science Fiction is built of duralloy and plastic and furnished in Faux Future. Its people travel by starship and aircar, fight with nukes and tailored germs, communicate by ansible and laser, and break protein bars with aliens.
The House of Horror is built of bone and cobwebs and furnished in Ghastly Gothick. Its people travel only by night, fight with anything that will kill messily, communicate in screams and shrieks and gibbers, and sip blood with vampires and werewolves.

 
George R. R. Martin
 

But everyone who hears these sayings of Mine, and does not do them, will be like a foolish man who built his house on the sand: and the rain descended, the floods came, and the winds blew and beat on that house; and it fell. And great was its fall.

 
Jesus Christ
 

When I was born 20.6.(18)87, I was influenced by Picasso to cry. When I could walk and speak I still stood under Picasso’s influence and said to my mother: ‘Tom’ or ‘Happening’ meaning the entrances of the canal under the street. My lyrical time was when I lived in the Violet Street. I never saw a violet. That was my influenced by Matisse because when he painted rose I did not paint violet. As a boy of ten I stood under Mondrian’s influence and built little houses with little bricks. Afterwards I stood under the influence of the Surrealists... In never stood under the influence of Dadaism because whereas the Dadaist created Spiegeldadaismus on the Zurich Lake, I created MERZ on the Leineriver, under the influence of Rembrandt. Time went on, and when Hans Arp made concrete Art, I stayed Abstract. Now I do concrete Art, and Marcel Duchamp went over to the Surrealists... and at all I have much fun about Art.

 
Kurt Schwitters
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