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Pablo Picasso

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Accidents, try to change them - it's impossible. The accidental reveals man.
--
Vogue, 1 November 1956

 
Pablo Picasso

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You don't need something more to get something more. That's what emergence means. Life can emerge from physics and chemistry plus a lot of accidents. The human mind can arise from neurobiology and a lot of accidents, the way the chemical bond arises from physics and certain accidents. Doesn't diminish the importance of these subjects to know they follow from more fundamental things plus accidents.

 
Murray Gell-Mann
 

In all philosophic theory there is an ultimate which is actual in virtue of its accidents. It is only then capable of characterization through its accidental embodiments, and apart from these accidents is devoid of actuality. In the philosophy of organism this ultimate is termed creativity; and God is its primordial, non-temporal accident. In monistic philosophies, Spinoza's or absolute idealism, this ultimate is God, who is also equivalently termed The Absolute. In such monistic schemes, the ultimate is illegitimately allowed a final, eminent reality, beyond that ascribed to any of its accidents. In this general position the philosophy of organism seems to approximate more to some strains of Indian, or Chinese, thought, than to western Asiatic, or European, thought. One side makes process ultimate; the other side makes fact ultimate.

 
Alfred North Whitehead
 

Evolution is all about processes that almost never happen. Every birth in every lineage is a potential speciation event, but speciation almost never happens, not once in a million births. Mutation in DNA almost never happens -- not once in a trillion copyings -- but evolution depends on it. Take the set of infrequent accidents -- things that almost never happen -- and sort them into the happy accidents, the neutral accidents, and the fatal accidents; amplify the effects of the happy accidents -- which happens automatically when you have replication and competition -- and you get evolution.

 
Daniel C. Dennett
 

Sour Grapes is a comedy about things that aren't funny. It reminded me of Crash, an erotic thriller about things no one finds erotic. The big difference is that David Cronenberg, who made Crash, knew that people were not turned on by auto accidents. Larry David, who wrote and directed Sour Grapes, apparently thinks people are amused by cancer, accidental castration, racial stereotypes and bitter family feuds... The more I think of it, the more Sour Grapes really does resemble Crash (except that Crash was not a bad film). Both movies are like watching automobile accidents. Only one was intended to be.

 
Roger Ebert
 

According to each one of the different theories there are things which are impossible, whose existence cannot be admitted, and whose creation is excluded from the power of God, and the assumption that God does not change their nature does not imply weakness in God, or a limit to his power. Consequently things impossible remain impossible, and do not depend on the action of an agent. It is now clear that a difference of opinion exists only as to the question to which of the two classes anything belongs; whether to the class of the impossible, or to that of the possible. Note it.

 
Maimonides
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