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Pablo Picasso

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When we did Cubist paintings, our intention was not to produce Cubist paintings but to express what was within us. No one laid down a course of action for us, and our friends the poets followed our endeavour attentively but they never dictated it to us.
--
Boisgeloup, winter 1934, quoted in Letters of the great artists – from Blake to Pollock -, Richard Friedenthal, Thames and Hudson, London, 1963, p. 258 (translation Daphne Woodward)

 
Pablo Picasso

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I think of my pictures as dramas; the shapes in the pictures are the performers. They have been created from the need for a group of actors who are able to move dramatically without embarrassment and execute gestures without shame. Neither the action nor the actors can be anticipated, or described in advance. They begin a an unknown adventure in an unknown space.. ..Ideas and plans that existed in the mind at the start were simply the doorway through which one left the world in which they occur. The great cubist pictures thus transcend and belie the implications of the cubist program.

 
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Outside the big idea that there is art I don’t think of other’s paintings. But I defend the idea of art and know that it is made up of all these paintings. Classic pictures are objects that may or may not influence what you’re doing, just like anything else. Like the radio.. ..But it hasn’t anything to do with your own art or the artist’s intention.

 
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The paintings of Francis Bacon to my eye are very beautiful. The paintings of Bosch or Goya are to my eye very beautiful. I've also stood in front of those same paintings with people who've said, "let's get on to the Botticellis as soon as possible." I have lingered, of course.

 
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Your Nordic blue eyes looked attentively at the paintings hanging on the walls. I felt stirrings of rebellion: a whole clash between your civilization and my barbarism.

 
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..since then I have found consolation in Blake; 'Without Contraries is no progression', he says in his Proverbs of Hell. And Baudelaire’s idea that 'Variety is an essential condition of life' seems to me to be in perfect accord with my aspirations and with my intention, as a Futurist painter, to put life in the place occupied by reasoning in the art of the Cubist period.

 
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