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Norman Mailer

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I think it's bad to talk about one's present work, for it spoils something at the root of the creative act. It discharges the tension.
--
As quoted in The Writer's Quotation Book : A Literary Companion (1980) by James Charlton, p. 43

 
Norman Mailer

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You may well ask: "Why direct action? Why sit ins, marches and so forth? Isn't negotiation a better path?" You are quite right in calling for negotiation. Indeed, this is the very purpose of direct action. Nonviolent direct action seeks to create such a crisis and foster such a tension that a community which has constantly refused to negotiate is forced to confront the issue. It seeks so to dramatize the issue that it can no longer be ignored. My citing the creation of tension as part of the work of the nonviolent resister may sound rather shocking. But I must confess that I am not afraid of the word "tension." I have earnestly opposed violent tension, but there is a type of constructive, nonviolent tension which is necessary for growth. Just as Socrates felt that it was necessary to create a tension in the mind so that individuals could rise from the bondage of myths and half truths to the unfettered realm of creative analysis and objective appraisal, so must we see the need for nonviolent gadflies to create the kind of tension in society that will help men rise from the dark depths of prejudice and racism to the majestic heights of understanding and brotherhood. The purpose of our direct action program is to create a situation so crisis packed that it will inevitably open the door to negotiation.

 
Martin Luther King
 

The product of movement and counter-movement is tension. When tension — working strength — is expressed, it endows the work of art with the living effect of coordinated, though opposing, forces.

 
Hans Hofmann
 

While mental disturbances may provide individuals with an underlying sense of unease that seems necessary for sustained creative activity, these disturbances are not the only source for inner tension... chronic physical ailments may give someone a heightened sense of urgency to leave a mark on the world and achieve immortality through creative greatness.

 
Arnold M. Ludwig
 

Of all the creative work produced by humans anywhere, a tiny fraction has continuing commercial value. For that tiny fraction, the copyright is a crucially important legal device. For that tiny fraction, the copyright creates incentives to produce and distribute the creative work. For that tiny fraction, the copyright acts as an "engine of free expression."
But even for that tiny fraction, the actual time during which the creative work has a commercial life is extremely short. As I've indicated, most books go out of print within one year. The same is true of music and film. Commercial culture is sharklike. It must keep moving. And when a creative work falls out of favor with the commercial distributors, the commercial life ends.

 
Lawrence Lessig
 

I just can't understand why they carried on with the name. It did them no favours, and however it can be defended, it spoils the memory. It's not so much that it's unforgivable, but it is a pity that we don't see each other and never talk to each other.

 
Ian McCulloch
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