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Nathaniel Hawthorne

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It is a curious subject of observation and inquiry, whether hatred and love be not the same thing at bottom. Each, in its utmost development, supposes a high degree of intimacy and heart-knowledge; each renders one individual dependent for the food of his affections and spiritual life upon another; each leaves the passionate lover, or the no less passionate hater, forlorn and desolate by the withdrawal of his object.
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Chapter XXIV: Conclusion

 
Nathaniel Hawthorne

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Christians were mocked for imagining that man is important in the vast scheme of the universe, even the high point of all creation — and yet my father thought man and his preservation the most important thing in the world, and he lived in hopes of a better life to come. He was by temperament a profoundly religious man, a sort of passionate moralist who would have been a saint in a more believing age. I believe myself that his whole life was a search for God... Somewhere at the back of my father’s mind, at the bottom of his heart, in the depths of his soul, there was an empty space that had once been filled by God, and he never found anything else to put it in.

 
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No artist can develop without increasing his self-knowledge; but self-knowledge supposes a certain preoccupation with the meaning of human life and the destiny of man. A definite set of beliefs — Methodist Christianity, for example — may only be a hindrance to development; but it is not more so than Beckett's refusal to think at all. Shaw says somewhere that all intelligent men must be preoccupied with either religion, politics, or sex. (He seems to attribute T. E. Lawrence's tragedy to his refusal to come to grips with any of them.) It is hard to see how an artist could hope to achieve any degree of self-knowledge without being deeply concerned with at least one of the three.

 
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When John Lennon sings, "Oh, my love/For the first time in my life/My eyes are wide open" — these songs have an intimacy for me that's not just between people, I realize now, not just sexual intimacy. A spiritual intimacy.

 
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There’s another reason why you should love your enemies, and that is because hate distorts the personality of the hater. We usually think of what hate does for the individual hated or the individuals hated or the groups hated. But it is even more tragic, it is even more ruinous and injurious to the individual who hates. You just begin hating somebody, and you will begin to do irrational things. You can’t see straight when you hate. You can’t walk straight when you hate. You can’t stand upright. Your vision is distorted. There is nothing more tragic than to see an individual whose heart is filled with hate. He comes to the point that he becomes a pathological case. For the person who hates, you can stand up and see a person and that person can be beautiful, and you will call them ugly. For the person who hates, the beautiful becomes ugly and the ugly becomes beautiful. For the person who hates, the good becomes bad and the bad becomes good. For the person who hates, the true becomes false and the false becomes true. That’s what hate does. You can’t see right. The symbol of objectivity is lost. Hate destroys the very structure of the personality of the hater. [...] when you start hating anybody, it destroys the very center of your creative response to life and the universe; so love everybody. Hate at any point is a cancer that gnaws away at the very vital center of your life and your existence. It is like eroding acid that eats away the best and the objective center of your life. So Jesus says love, because hate destroys the hater as well as the hated.

 
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Because his living presence became such an uncommonly global one, that ministry [Jackson’s individual spiritual concerns] reflected universal ecumenical principles dressed up in ultra-modern dance grooves, love songs to nature, lyrical eulogies in the form of musical elegies, and sermons sung with passionate intensity and suffering eloquence.

 
Aberjhani
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