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Miguel de Unamuno

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...this visionary [ Emanuel Swedenborg in his book Heaven and Hell] tells us, under the form of images, that each angel, each society of angels, and the whole of heaven comprehensively surveyed, appear in human form, and in the virtue of this human form the Lord rules them as one man.

 
Miguel de Unamuno

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I saw an angel close by me, on my left side, in bodily form. This I am not accustomed to see, unless very rarely. Though I have visions of angels frequently, yet I see them only by an intellectual vision, such as I have spoken of before. It was our Lord's will that in this vision I should see the angel in this wise. He was not large, but small of stature, and most beautiful — his face burning, as if he were one of the highest angels, who seem to be all of fire: they must be those whom we call cherubim. Their names they never tell me; but I see very well that there is in heaven so great a difference between one angel and another, and between these and the others, that I cannot explain it.

 
Teresa of Avila (Teresa de Jesus)
 

Artists are generally soft-spoken persons who are concerned with their inner visions and images. But that is precisely what makes them feared by any coercive society. For they are the bearers of the human being's age old capacity to be insurgent. They love to immerse themselves in chaos in order to put it into form, just as God created form out of chaos in Genesis. Forever unsatisfied with the mundane, the apathetic, the conventional, they always push on to newer worlds.

 
Rollo May
 

This is a human form in which every Divine entity, every Divine principle, that is to say, all the names and forms ascribed by man to God, are manifest... You are very fortunate that you have the chance to experiences the bliss of the vision of the form, which is the form of all gods, now, in this life itself.

 
Sathya Sai Baba
 

Our sense of touch is a fundamental sensibility which comes into action at birth – our stereognostic sense – the ability to feel weight and form and assess its significance. The form which have had special meaning for me since childhood have been the standing form (which is the translation of my feelings towards the human being standing in the landscape) the two forms (which is the tender relation of one living thing besides another); and the closed form, such as the oval, spherical or pierced form (sometimes incorporating colour) which translates for me the association and meaning of gesture in landscape; in the repose of say a mother and child… …In all these shapes the translation of what one feels about man and nature must be conveyed by the sculptor in terms of mass, inner tension, and rhythm, scale in relation to our human size and the quality of surface which speaks through our hands and eyes.

 
Barbara Hepworth
 

It may be from some moral obliquity in myself, or from some strange disease; but for me, and I should think too for every human being in whose breast a human heart is beating, to know that one single creature is in that dreadful place would make a hell of heaven itself. And they have hearts in heaven, for they love there.

 
James Anthony Froude
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