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Marshall McLuhan

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The alphabet, when pushed to a high degree of abstract visual intensity, became typography. The printed word with its specialist intensity burst the bonds of medieval corporate guilds and monasteries, created extreme individualist patterns of enterprise and monopoly.

 
Marshall McLuhan

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I use emacs, which might be thought of as a thermonuclear word processor. It was created by Richard Stallman; enough said. It is written in Lisp, which is the only computer language that is beautiful. It is colossal, and yet it only edits straight ASCII text files, which is to say, no fonts, no boldface, no underlining. In other words, the engineer-hours that, in the case of Microsoft Word, were devoted to features like mail merge, and the ability to embed feature-length motion pictures in corporate memoranda, were, in the case of emacs, focused with maniacal intensity on the deceptively simple-seeming problem of editing text.

 
Neal Stephenson
 

Print also created new literary forms and altered ideas of literary style. Medieval poetry was conceived for the ear, and each poem had to stand the test of recitation. In addition, medieval audiences were not always interested in the poet himself, since his work was known to them only through the interpretations of minstrels, who frequently rephrased poems to suit their own image and images. The printed page changed these conditions. Slowly, the printed poet came into a new relationship with his reader. He learned not to be so repetitive as his predecessors since a reader could be depended upon to return as often as needed to uncompromised passages. ...After the flowering of dramatic poetry during the Elizabethan Age, the printed page substituted for the theater, and millions of children came to know Shakespeare only through this form.

 
Neil Postman
 

By phonemic transformation into visual terms, the alphabet became a universal, abstract, static container of meaningless sounds.

 
Marshall McLuhan
 

It is not the "greatness," the intensity, of the emotions, the components, but the intensity of the artistic process, the pressure, so to speak, under which the fusion takes place, that counts.

 
Thomas Stearns (T. S.) Eliot
 

I have experienced the intensity of patriotism as a submarine officer, the ambitions of a competitive businessman, and the intensity of political debate. I have been sorely tempted to launch a military attack on foreigners, and have felt the frustration of having to negotiate with allies or even former enemies to reach a consensus instead of taking more decisive unilateral action.

 
Jimmy Carter
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