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Mario Merz

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Conceptual Art is a sounding instrument between printed words, luminous writings, and letters scrawled in a hasty nervous instinctive calligraphy.
--
Quoted in Kristine Stiles & Peter Howard Selz: Theories and documents of contemporary art (1996) P.671

 
Mario Merz

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The creationist is a sham religious person who, curiously, has no true sense of religion. In the language of religion, it is the facts we observe in the world around us that must be seen to constitute the words of God. Documents, whether the Bible, Qur'an or those writings that held such force for Velikovsky, are only the words of men. To prefer the words of men to those of God is what one can mean by blasphemy. This, we think, is the instinctive point of view of most scientists who, curiously again, have a deeper understanding of the real nature of religion than have the many who delude themselves into a frenzied belief in the words, often the meaningless words, of men. Indeed, the lesser the meaning, the greater the frenzy, in something like inverse proportion.

 
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For honesty is before honor; and though man must write his poems in sounding words, God's poems are printed best in the brave and silent duties of common life.

 
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Occasionally in her travels through her children's minds Mrs. Darling found things she could not understand, and of these quite the most perplexing was the word Peter. She knew of no Peter, and yet he was here and there in John and Michael's minds, while Wendy's began to be scrawled all over with him. The name stood out in bolder letters than any of the other words, and as Mrs. Darling gazed she felt that it had an oddly cocky appearance.
"Yes, he is rather cocky," Wendy admitted with regret. Her mother had been questioning her.

 
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I myself have two specimens of Ikkyu's calligraphy. One of them is a single line: "It is easy to enter the world of the Buddha, it is hard to enter the world of the devil." Much drawn to these words, I frequently make use of them when asked for a specimen of my own calligraphy. They can be read in any number of ways, as difficult as one chooses, but in that world of the devil added to the world of the Buddha, Ikkyu of Zen comes home to me with great immediacy. The fact that for an artist, seeking truth, good, and beauty, the fear and petition even as a prayer in those words about the world of the devil — the fact that it should be there apparent on the surface, hidden behind, perhaps speaks with the inevitability of fate. There can be no world of the Buddha without the world of the devil. And the world of the devil is the world difficult of entry. It is not for the weak of heart.

 
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As I understand, or as I hallucinate conceptual space, nearly all form in conceptual space is language, I might even say all the form in non-conceptual space is language, I’m not even sure of what the difference between physical space and conceptual space is anymore, in the interface. All form is language. The forms that we see, or imagine, or perceive, or whatever it is Remote Viewers are doing, in conceptual space are mindforms made from language, and by language I also mean images, sounds. We dress these basic ideas in language we can understand. Sometimes there are sizable errors of translation.

 
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