If I weren’t a Jew (in the sense in which I use the word) then I wouldn’t be an artist, or at least not the one I am now.
--
Bletlach (Leaflet), (essay in Yiddish), Marc Chagall, in 'Shtrom' No. 1, 1922Marc Chagall
'I'm excited by the band [White Stripes]. It really excites me. But it wouldn't excite me if there weren't those limitations, if we weren't living in that box, if we weren't trapped. Once that goes away, then I'll know that it's not worth doing it any more.'
Jack White
The Pentagon’s judgments about the world have generally proved sounder than the CIA’s. In the 1960s, the CIA said that the Soviets wouldn’t put missiles in Cuba; in the 1970s, that their missiles weren’t accurate; in the 1980s, that the missile budget wouldn’t bankrupt Moscow; and in the 1990s, that Russia’s democratic reforms were irreversible. In each case, the Pentagon argued the opposite case, and turned out to be right. Similarly, in the 1980s, the CIA said that the Soviets weren’t sponsoring terrorism, and then, in the 1990s, that Sunni and Shiite terrorists wouldn’t cooperate. In each case, again, the Pentagon rightly claimed otherwise.
Mark Riebling
The Squares [his former band] never really fit in. We weren't rock enough. We weren't alternative enough. We weren't new wave enough and we weren't punk enough. Maybe we just weren't the right people for the band.
Joe Satriani
If most of us were wind up-toys, could we trust the few of us that weren't to wind us up when necessary? I think not. We would be a separate oppressed minority. Even if we were in the majority, it would still be that way. The ones that weren't wind-up toys would have the upper hand, and we would have to look out for each other, because they wouldn't.
John S. Hall
In his effort toward revivification of this sense [the sense for great art], the modern artist has not infrequently retired into himself; he has accepted isolation or even alienation. … Sometimes the good has to go underground. … The “revolutionary” artist … has had the aim of saving himself from the surrounding forces of sentimentality and vulgarity. … It is impossible to make a deal with these forces, and we should not be surprised if in striking back the artist has done so in ways even intended to be offensive. He has sometimes shown defiance and contempt toward those who would deny his level of seriousness.
Richard Weaver
Chagall, Marc
Chain, Ernst
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