"To hide behind culture or tradition to justify anarchy is a gross insult to the very people whose culture or tradition may be paraded to glorify criminal conduct."
Mahendra Chaudhry
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Before industrial civilization, local and regional communities made their own music, their own entertainment. The esthetics were based on traditions that went far back in time—i.e. folklore. But part of the con of mass culture is to make you forget history, disconnect you from tradition and the past. Sometimes that can be a good thing. Sometimes it can even be revolutionary. But tradition can also keep culture on an authentic human level, the homespun as opposed to the mass produced. Industrial civilization figured out how to manufacture popular culture and sell it back to the people. You have to marvel at the ingenuity of it! The problem is that the longer this buying and selling goes on, the more hollow and bankrupt the culture becomes. It loses its fertility, like worn out, ravaged farmland. Eventually, the yokels who bought the hype, the pitch, they want in on the game. When there are no more naive hicks left, you have a culture where everybody is conning each other all the time. There are no more earnest "squares" left—everybody's "hip," everybody is cynical.
Robert Crumb
"From the perspective of scripting theory, same-gender erotic preferences are elicited and shaped by the systems of meaning offered for conduct in a culture. What is usually construed as culture against "man" or culture against nature is thus actually conflict among differently enculturated individuals or groups.
What is required is a constant recognition that acts of usage and explanation are acts of social control in the strong sense, that "homosexual" and "homosexuality" are names that have been imposed on some persons and their conduct by other persons - and that this imposition has carried the right of the latter to tell the former the origins, meaning, and virtue of their conduct."John Gagnon
A free culture has been our past, but it will only be our future if we change the path we are on right now. Like Stallman's arguments for free software, an argument for free culture stumbles on a confusion that is hard to avoid, and even harder to understand. A free culture is not a culture without property; it is not a culture in which artists don't get paid. A culture without property, or in which creators can't get paid, is anarchy, not freedom. Anarchy is not what I advance here. Instead, the free culture that I defend in this book is a balance between anarchy and control. A free culture, like a free market, is filled with property. It is filled with rules of property and contract that get enforced by the state. But just as a free market is perverted if its property becomes feudal, so too can a free culture be queered by extremism in the property rights that define it. That is what I fear about our culture today. It is against that extremism that this book is written.
Lawrence Lessig
Modern war has occurred primarily in the Western culture. Western culture is short-tempered in a sense, always resorting to showdowns with weapons. It originated in the cold North with hunters who killed to eat and then moved on. The tradition of Vikings and pirates is strong in Western culture, and when Western culture moves into a new territory it is accompanied by rifles and guns. You don't like to hear this because you are Westerners, but someone must wake you up.
Sun Myung Moon
In a technocracy, tools play a central role in the thought-world of the culture. Everything must give way, in some degree, to their development. The social and symbolic worlds become increasingly subject to the requirements of that development. Tools are not integrated into the culture; they attack the culture. They bid to become the culture. As a consequence, tradition, social mores, myth, politics, ritual, and religion have to fight for their lives...
Neil Postman
Chaudhry, Mahendra
Chavez, Cesar
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